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Channel Assignment
The following general principles apply to all configurations, and are valid for all EVS
servers equipped with COHX boards:
• The record channels (IN connectors) are always assigned from the right to the left.
• The play channels (OUT connectors) are always assigned from the left to the right.
Clip and Record Train Compatibility onXT2 Servers
• Clips are compatible across all Multicam configurations including Super LSM.
• Record trains are also compatible as long as the number of record channels (cameras)
is not increased in LSM mode.
Example
◦ SuperLSM ® 2CAM (Fx): Record trains are lost.
◦ 4CAM (Fx) ® 3CAM (Cut): Record trains are kept.
• Record trains are always kept in Spotbox mode (all modes except LSM), even when
the number of record train s is increased.
57 3. Multicam Configuration
EVS Broadcast Equipment S.A. - November 2012 Issue 11.01.B
- CONFIGURATION MANUAL 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 5
- 3. MULTICAM CONFIGURATION 44 6
- GLOSSARY 213 7
- VI Table of Contents 8
- What's New? 9
- VIII What's New? 10
- 1. Introduction 11
- 2 1. Introduction 12
- Merging of Former Manuals 13
- 1.3. Starting the EVS Server 14
- Prerequisite 15
- Procedure 15
- 2. Multicam Setup 16
- User Interfaces 17
- Description of the Areas 18
- General Navigability 19
- In the Web-Based Interface 20
- 2.2. Configuration Lines 21
- Automatic Launch 22
- How to Edit a Configuration 23
- Invalid Configuration 23
- 15 2. Multicam Setup 25
- 17 2. Multicam Setup 27
- 2. Multicam Setup 18 28
- 2.3. Server Parameters 32
- Protection 33
- Settings 36
- How to Set the LAN PC 36
- Supported Formats 37
- Default Raid Configuration 39
- Requested Raid Configuration 39
- Current Raid Configuration 40
- 2.4. Licenses and Maintenance 41
- 2. Multicam Setup 32 42
- How to Remove a License Code 46
- 2.5. Server Maintenance 47
- Disk Errors and Disconnection 48
- Restarting 49
- Retrieving Logs 50
- Rebuild Process 50
- 2.5.4. Clearing Video Disks 51
- How to Import a Keyword File 52
- How to Export a Keyword File 52
- 2.5.7. Exporting Log Files 53
- 3. Multicam Configuration 54
- 45 3. Multicam Configuration 55
- Server-Based Application 56
- Display Mode 57
- Configuration Window 59
- Editing Commands 60
- Enabling Values in a List 60
- Required Application Reboot 62
- Navigation Commands 64
- 3.2. Supported Configurations 66
- Channel Assignment 67
- XT2 4U Servers 68
- XT2 6U Servers 69
- Example: 4REC + 2PLAY 70
- Configurations 71
- 3.2.4. SLSM Configurations 72
- Example: 1xSLSM 2PH + 2PLAY 73
- 3.3. Server Tab 80
- 3.3.2. Video and Reference 81
- Field Rate 82
- Resolution 82
- Horizontal Res. (HD) 83
- Recorded Lines (SD) 84
- LTC Timecode 84
- Sync PC Time to TC 84
- Codec Availability 85
- Codec-Related Information 86
- 77 3. Multicam Configuration 87
- (59.94 Hz) 88
- 79 3. Multicam Configuration 89
- SD (Standard Definition) 91
- HD to SD SDI / SD SDI to HD 92
- 3.3.4. Interpolation Settings 93
- 3.3.5. PC LAN Settings 94
- General Description 95
- IP Address 95
- Subnet Mask 95
- Default Gateway 95
- 3.4. Channels Tab 96
- 87 3. Multicam Configuration 97
- 3.4.2. Channels 98
- 89 3. Multicam Configuration 99
- Base Config 100
- SLSM Rec 101
- Port Settings 102
- Channels and Control Settings 103
- Main ctrl (Main Controller) 104
- 95 3. Multicam Configuration 105
- Main Rules for XT2 server 106
- Standalone Protocol 107
- Exclusive mode - REC Channels 110
- Parallel mode - Play Channels 110
- Parallel mode - REC Channels 111
- Recorder Settings 112
- Clip Capacity 113
- Rec Auto Start 113
- 3.4.3. Audio 114
- Audio Connectors 115
- Number of Tracks 116
- Audio Full Scale 116
- Ancillary Mode 116
- Introduction 117
- General Principles 118
- Audio Input Settings 119
- Example 2 120
- Example 3 120
- Example 4 120
- Audio Output Settings 121
- 3. Multicam Configuration 112 122
- Audio (Embedded) Inputs 124
- Audio Embedded Outputs 124
- Audio Digital Outputs 125
- Audio Analog 126
- Collective Editing Actions 127
- Individual Editing Actions 127
- Commands 128
- Dolby Audio Management 129
- Timecode Settings 130
- Timecode Insertion Settings 131
- HD OUT (in HD) 132
- SD OUT (in HD and SD) 133
- SMPTE Package Settings 134
- Supported Packets 135
- Decoding 135
- Encoding 135
- Custom 1/2 135
- SD OUT Encoding 136
- 3.5. Network Tab 137
- 3.5.2. SDTI Settings 138
- Net Name 139
- Net Number 139
- High Priority 140
- IP Address (Port 1/Port 2) 141
- Subnet Mask (Port 1/Port 2) 142
- 3.6. Monitoring Tab 143
- 3.6.2. Multiviewer Settings 144
- Available Layouts 145
- Display 1 to 8 146
- Audio Monitoring from video 146
- Aspect ratio - Videos 146
- 3.6.3. OSD Settings 147
- Genlock Error 148
- Disk Error 148
- Network error 149
- Clip name 149
- Char OUT J4 150
- Char OUT J1 150
- OUTBJ3 150
- Aspect ratio 150
- SDEdge Enh 151
- RECHD->SD Low latency 151
- 3.7. Protocol Tab 152
- 143 3. Multicam Configuration 153
- 3.7.3. Clip Identifiers 155
- 3.7.4. Sony BVW Settings 156
- 3.7.5. EditRec 157
- Overview on Edit Rec Settings 158
- Edit Rec 1/2 Setting 158
- Default PL 159
- Audio Settings for Edit Rec 160
- Serial Sony LTC 161
- Serial Sony VITC 161
- User TC of created clips 162
- Channel Settings for Edit Rec 163
- OSD Settings for Edit Rec 164
- Display sel 165
- TCH-Pos 165
- Name H-Pos 165
- TCV-Pos 165
- 3.7.6. RS422VarID Settings 166
- 157 3. Multicam Configuration 167
- Uniqueness 168
- VarID Configuration File 168
- VDCP Visibility 169
- 3.8. GPI Tab 170
- 3.8.2. GPI Settings 171
- TTL GPIs set as GPIs 172
- GPIs IN - Channel/Device 172
- GPIs IN - Port 172
- GPIs IN - Function 173
- GPIs IN - Delay 174
- GPIs OUT - Function 174
- GPIs OUT - Type 174
- GPIs OUT - Advance 174
- 3.8.3. Tally Settings 175
- Add Clip to PL 176
- Clips guardbands 176
- 3.9. Operation Tab 177
- Clips Settings 178
- Playlist Settings 178
- Miscellaneous Settings 179
- Controller Settings 180
- 3.9.2. OSD Settings 181
- Cue number on OSD 182
- OSD on outputs 182
- OSD on inputs 182
- Background 182
- Audio meters 183
- DB Adjust 183
- Thickness 183
- 3.9.4. Clips Settings 184
- Make clip rem. trains 185
- Guardbands 185
- Default clip duration 186
- Autoname clips 186
- Clip post-roll 187
- Mark cue point 187
- Record trains OUTs 188
- Default copy/move 188
- Freeze on cue points 189
- Protocol Receive page 189
- Playlist Receive page 189
- 3.9.5. Playlist Settings 190
- Audio locked to video 191
- Audio effect duration 191
- Wipe type 191
- Default playlist speed 192
- Insert in playlist 192
- Confirm Ins/Del clips 192
- Advanced audio editing 192
- Extend split transition 193
- Swap audio tracks 193
- Playlist loop 194
- Playlist auto fill 194
- Fade to/from color 194
- 3.9.6. Timeline Settings 195
- 3.9.7. Protection Settings 196
- Protect pages 197
- Clip edit by network 198
- 3.9.8. Keywords Settings 199
- Keyword files 200
- Keyword mode 200
- 3.9.9. Push Settings 201
- Push Target 202
- Push Target 1 / 2 203
- Push Mode 203
- 3.9.10. Audio Settings 204
- Audio slow motion 205
- Lipsync value (ms) 205
- Aux track output 206
- Effect duration for take 207
- Fast jog 207
- PGM Speed / var max 208
- Lever engage mode 208
- Second lever range 209
- Recall clip toggle 209
- Record key 209
- Pointing device 210
- VGA & Remote sync 210
- Call channel VGA 211
- PGM/PRV mode 211
- Internal loop mode 211
- Grab image 212
- Browse button 212
- Default XFile 212
- 3.9.12. Cam Mapping Settings 213
- Cam Mapping 214
- Principles 214
- Remote Panel Assignment 215
- Hypermotion 216
- Recorder 216
- Remote mode 217
- Protocol 217
- IPAddress 218
- Dial Speed 218
- Paint/target transition 219
- Set colour for 219
- Custom Y 220
- Custom U 220
- Custom V 220
- Split screen tracking 221
- Paint/target OSD mon 221
- Offside line 221
- External offside 222
- IP address 222
- Default tool 222
- Auto mark 222
- Glossary 223
- Glossary 214 224
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