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Remote IPDP AVSP VDCP Sony EditRec Odetics DD35
Odetics
F&K
VDCP
F&K
LinX
Main Controller
1 PGM 2
2 PGM
> 2 PGM
1 PGM
+ 1 REC
1
1 REC
> 1 REC
Several PGM
+ 1 REC
1
Several PGM
+ Several
REC
1
Secondary Controller
1 PGM
2 PGM
> 2 PGM
1 PGM
+ 1 REC
1
1 REC
Several PGM
+ 1 REC
1
Several PGM
+ Several
REC
1
1. The recorder cannot be controlled by a secondary controller in exclusive mode. In
these cases, the recorder must be standalone or in parallel mode.
2. Only with AirBox as main controller.
Protocol Used in Parallel Mode
The table shows whether or not the given protocol, used in parallel mode (as a main,
secondary or mix controller) can be assigned to the specified number of play channels,
record channels or play and record channel combinations.
The green cells refer to allowed assignments, the red ones to banned assignments.
Numbers in the cells refer to the notes mentioned below the table.
103 3. Multicam Configuration
EVS Broadcast Equipment S.A. - November 2012 Issue 11.01.B
- CONFIGURATION MANUAL 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 5
- 3. MULTICAM CONFIGURATION 44 6
- GLOSSARY 221 7
- VI Table of Contents 8
- What's New? 9
- VIII What's New? 10
- 1. Introduction 11
- 2 1. Introduction 12
- Merging of Former Manuals 13
- 1.3. Starting the EVS Server 14
- Prerequisite 15
- Procedure 15
- 2. Multicam Setup 16
- User Interfaces 17
- Description of the Areas 18
- General Navigability 19
- In the Web-Based Interface 20
- 2.2. Configuration Lines 21
- Automatic Launch 22
- How to Edit a Configuration 23
- Invalid Configuration 24
- 15 2. Multicam Setup 25
- 17 2. Multicam Setup 27
- 2. Multicam Setup 18 28
- 2.3. Server Parameters 32
- Protection 33
- Settings 36
- How to Set the LAN PC 36
- Supported Formats 37
- Default Raid Configuration 39
- Requested Raid Configuration 39
- Current Raid Configuration 40
- 2.4. Licenses and Maintenance 41
- 2. Multicam Setup 32 42
- How to Remove a License Code 46
- 2.5. Server Maintenance 47
- Disk Errors and Disconnection 48
- Restarting 49
- Retrieving Logs 50
- Rebuild Process 50
- 2.5.4. Clearing Video Disks 51
- How to Import a Keyword File 52
- How to Export a Keyword File 52
- 2.5.7. Exporting Log Files 53
- 3. Multicam Configuration 54
- 45 3. Multicam Configuration 55
- Server-Based Application 56
- Display Mode 57
- Configuration Window 59
- Editing Commands 60
- Enabling Values in a List 60
- Required Application Reboot 62
- Navigation Commands 64
- 3.2. Supported Configurations 66
- Channel Assignment 67
- 3. Multicam Configuration 58 68
- XT2+ 6U Servers 69
- Example: 4REC + 2PLAY 70
- Configurations 71
- 3.2.4. SLSM Configurations 72
- Assignment Principles 79
- COHX board: 81
- 3. Multicam Configuration 74 84
- 3.3. Server Tab 85
- 3.3.2. Video and Reference 86
- Field Rate 87
- Resolution 87
- Horizontal Res. (HD) 88
- Recorded Lines (SD) 89
- LTC Timecode 89
- Sync PC Time to TC 89
- Codec Availability 90
- Codec-Related Information 91
- 3. Multicam Configuration 82 92
- (59.94 Hz) 93
- 3. Multicam Configuration 84 94
- SD (Standard Definition) 96
- HD to SD SDI / SD SDI to HD 97
- 3.3.4. Interpolation Settings 98
- 3.3.5. PC LAN Settings 99
- General Description 100
- IP Address 100
- Subnet Mask 100
- Default Gateway 100
- 3.4. Channels Tab 101
- 3. Multicam Configuration 92 102
- 3.4.2. Channels 103
- 3. Multicam Configuration 94 104
- Base Config 105
- SLSM Rec 106
- Port Settings 107
- RS422 #1 - #6 108
- Channels and Control Settings 109
- Main ctrl (Main Controller) 110
- Main Rules for XT2+ server 111
- Standalone Protocol 112
- Exclusive mode - REC Channels 115
- Parallel mode - Play Channels 115
- Parallel mode - REC Channels 116
- Recorder Settings 117
- Clip Capacity 118
- Rec Auto Start 118
- Mix on One Channel Feature 119
- Supported Modes 120
- Mix on One Channel Settings 121
- 3.4.3. Audio 122
- Audio Connectors 123
- Number of Tracks 123
- Audio Full Scale 124
- Ancillary Mode 124
- Introduction 125
- General Principles 126
- Audio Input Settings 127
- Example 2 128
- Example 3 128
- Example 4 128
- Audio Output Settings 129
- 3. Multicam Configuration 120 130
- Audio (Embedded) Inputs 132
- Audio Embedded Outputs 132
- Audio Digital Outputs 133
- Audio Analog 134
- Collective Editing Actions 135
- Individual Editing Actions 135
- Commands 136
- Dolby Audio Management 137
- Timecode Settings 138
- Timecode Insertion Settings 139
- HD OUT (in HD) 140
- SD OUT (in HD and SD) 141
- SMPTE Package Settings 142
- Supported Packets 143
- Decoding 143
- Encoding 143
- Custom 1/2 143
- SD OUT Encoding 144
- 3.5. Network Tab 145
- 3.5.2. SDTI Settings 146
- Net Name 147
- Net Number 147
- High Priority 148
- IP Address (Port 1/Port 2) 149
- Subnet Mask (Port 1/Port 2) 150
- 3.6. Monitoring Tab 151
- 3.6.2. Multiviewer Settings 152
- Available Layouts 153
- Display 1 to 8 154
- Audio Monitoring from video 154
- Aspect ratio - Videos 154
- 3.6.3. OSD Settings 155
- Genlock Error 156
- Disk Error 156
- Network error 157
- Clip name 157
- Char OUT J4 158
- Char OUT J1 158
- OUTBJ3 158
- Aspect ratio 158
- SDEdge Enh 159
- RECHD->SD Low latency 159
- 3.7. Protocol Tab 160
- 151 3. Multicam Configuration 161
- 3.7.3. Clip Identifiers 163
- 3.7.4. Sony BVW Settings 164
- 3.7.5. EditRec 165
- Overview on Edit Rec Settings 166
- Edit Rec 1/2 Setting 166
- Default PL 167
- Audio Settings for Edit Rec 168
- Serial Sony VITC 169
- Serial Sony LTC 169
- User TC of created clips 170
- Channel Settings for Edit Rec 171
- OSD Settings for Edit Rec 172
- Display sel 173
- TCH-Pos 173
- Name H-Pos 173
- TCV-Pos 173
- 3.7.6. RS422VarID Settings 174
- 165 3. Multicam Configuration 175
- VarID Configuration File 176
- Uniqueness 176
- VDCP Visibility 177
- 3.8. GPI Tab 178
- 3.8.2. GPI Settings 179
- TTL GPIs set as GPIs 180
- GPIs IN - Channel/Device 180
- GPIs IN - Port 180
- GPIs IN - Function 181
- GPIs IN - Delay 182
- GPIs OUT - Function 182
- GPIs OUT - Type 182
- GPIs OUT - Advance 182
- 3.8.3. Tally Settings 183
- Add Clip to PL 184
- Clips guardbands 184
- 3.9. Operation Tab 185
- Clips Settings 186
- Playlist Settings 186
- Miscellaneous Settings 187
- Controller Settings 188
- 3.9.2. OSD Settings 189
- Cue number on OSD 190
- OSD on outputs 190
- OSD on inputs 190
- Background 190
- Audio meters 191
- DB Adjust 191
- Thickness 191
- 3.9.4. Clips Settings 192
- Make clip rem. trains 193
- Guardbands 193
- Default clip duration 194
- Autoname clips 194
- Clip post-roll 195
- Mark cue point 195
- Record trains OUTs 196
- Default copy/move 196
- Freeze on cue points 197
- Protocol Receive page 197
- Playlist Receive page 197
- 3.9.5. Playlist Settings 198
- Audio locked to video 199
- Audio effect duration 199
- Wipe type 199
- Default playlist speed 200
- Insert in playlist 200
- Confirm Ins/Del clips 200
- Advanced audio editing 200
- Extend split transition 201
- Swap audio tracks 201
- Playlist loop 202
- Playlist auto fill 202
- Fade to/from color 202
- 3.9.6. Timeline Settings 203
- 3.9.7. Protection Settings 204
- Protect pages 205
- Clip edit by network 206
- 3.9.8. Keywords Settings 207
- Keyword files 208
- Keyword mode 208
- 3.9.9. Push Settings 209
- Push Target 210
- Push Target 1 / 2 211
- Push Mode 211
- 3.9.10. Audio Settings 212
- Audio slow motion 213
- Lipsync value (ms) 213
- Aux track output 214
- Effect duration for take 215
- Fast jog 215
- PGM Speed / var max 216
- Lever engage mode 216
- Second lever range 217
- Recall clip toggle 217
- Record key 217
- Pointing device 218
- VGA & Remote sync 218
- Call channel VGA 219
- PGM/PRV mode 219
- Internal loop mode 219
- Grab image 220
- Browse button 220
- Default XFile 220
- 3.9.12. Cam Mapping Settings 221
- Cam Mapping 222
- Principles 222
- Remote Panel Assignment 223
- Hypermotion 224
- Recorder 224
- Remote mode 225
- Protocol 225
- IPAddress 226
- Dial Speed 226
- Paint/target transition 227
- Set colour for 227
- Custom Y 228
- Custom U 228
- Custom V 228
- Split screen tracking 229
- Paint/target OSD mon 229
- Offside line 229
- External offside 230
- IP address 230
- Default tool 230
- Auto mark 230
- Glossary 231
- Glossary 222 232
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