Evs IPDirector Version 5.8 - July 2010 Part 7 User Manual de usuario Pagina 197
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Issue 5.8.B IPDirector V.5.8
–
User Manual
–
Part 7: Editing -
IPEdit
EVS Broadcast Equipment - July 2010
184
After
4.14.8 INCREASING OR DECREASING THE VOLUME ON PART OF A
TRACK
HOW TO DECREASE OR INCREASE THE VOLUME ON A PART OF
A
TRACK
To increase or decrease the volume on part of a track displayed in the Volume
Automation panel, proceed as follows:
1. Delimit the part of the track on which you want to increase the volume as
follows:
a. Add a mark IN point at the position to start the volume increase or
decrease.
b. Add a mark OUT point at the position to stop the volume increase or
decrease.
2. Drag the part of the track between the mark IN and mark OUT points up
(increase) or down (decrease) with the left mouse button.
3. Release the mouse button when the part of the track selected is positioned
at the requested audio level.
- User’s Manual 1
- COPYRIGHT 2
- DISCLAIMER 2
- IMPROVEMENT REQUESTS 2
- REGIONAL CONTACTS 2
- Table of Contents 3
- What’s New? 8
- About this Manual 10
- PART 3: BROWSING 11
- PART 4: INGEST 11
- PART 7: EDITING 12
- PART 8: EDITING 12
- 1. Introduction 14
- 1.3 LIMITATIONS 15
- 1.4 OVERVIEW 15
- DISPLAY 16
- DESCRIPTION 16
- AUTOMATIC UNLOCK 16
- 1.4.4 IPEDIT OUTLINE 17
- 1.4.6 PLAYER 18
- 1.4.7 BROWSER 18
- 1.4.8 TIMELINE 18
- 2. Browser 20
- BROWSER 21
- 3. Player 24
- 3.2.1 PRINCIPLE 25
- 3.2.2 DISPLAY 26
- 3.3 VIDEO DISPLAY 27
- AUTOMATIC ASSOCIATION 28
- PLAYER IN IPEDIT 28
- 3.5.1 LOCK ICON 29
- 3.5.2 LOADED MEDIA FIELD 30
- 3.5.3 LSM ID FIELD 30
- 3.5.4 TIMECODE FIELD 31
- 3.5.5 TRAIN NAME FIELD 31
- 3.5.6 DURATION FIELD 31
- HEN A RECORD TRAIN IS LOADED 32
- 3.5.7 JOG BAR 33
- 3.6.1 PURPOSE 34
- 3.6.2 BUTTON DESCRIPTION 34
- 3.7.1 PURPOSE 39
- 3.7.2 INSERT FUNCTION 39
- 3.7.3 OVERWRITE FUNCTION 39
- 3.7.5 MATCH FRAME REPLACE 40
- 3.8 PLAYER TRACK SELECTION 41
- 3.8.4 EXAMPLE 42
- 3.9 AUDIO MONITORING 43
- TEMPLATE 45
- 3.10.1 GENERAL INFORMATION 46
- 3.10.3 WAYS TO LOAD CLIPS 47
- 3.10.4 WAYS TO LOAD TRAINS 47
- 3.10.5 WAYS TO LOAD LOGS 48
- 4. Timeline 49
- 4.1.2 TIMELINE DISPLAY 50
- TIMECODE BAR 51
- NOWLINE 51
- MARK IN /OUT POINTS 51
- LASSO SELECTION AREA 53
- INSERT/OVERWRITE GLOBAL MODE 57
- SET TIMELINE MARK IN 57
- SET TIMELINE MARK OUT 57
- CLEAR TIMELINE MARKS 58
- EXTEND SLOW/FAST 59
- MATCH FRAME IN PLAYER 60
- CLEAR MARK IN 60
- CLEAR MARK OUT 60
- ADD TRANSITION EFFECT 60
- REMOVE TRANSITION EFFECT 60
- 4.1.5 LOCATOR ICONS 61
- FUNCTIONS 61
- START REPLACE 63
- CREATE CLIP FROM TIMELINE 64
- AUDIO MONITORING 64
- PLAY FORWARD (MULTISPEED) 64
- FAST REWIND (MULTISPEED) 65
- MARK IN TC 66
- MARK OUT TC 66
- NOWLINE TC 66
- TIMELINE DURATION 66
- OCATOR/GPI SELECTION BUTTONS 67
- SCALE BAR 68
- MOVE BAR 68
- VOLUME AUTOMATION MODE 68
- SWAP / MUTE ZOOM MODE 68
- MUTE BUTTON 69
- 4.2 TIMELINE MANAGEMENT 70
- • the user’s default bin 72
- • a default archive target 72
- HOW TO CREATE A NEW TIMELINE 73
- Left Pane 74
- CONVERSION METHODS 76
- AKE A TIMELINE ONLINE WINDOW 77
- 4.2.4 OPENING A TIMELINE 79
- DESTINATION TYPES 83
- TRANSFER TYPES 84
- 4.3 TIMELINE EDITING 85
- SUPER SLOW MOTION CLIPS 86
- ROWING CLIPS IN TIMELINES 87
- SELECTION BY CLICKING 93
- SELECTION WITH THE LASSO 93
- 4.5.1 APPLICABLE PRINCIPLES 96
- VAILABILITY OF CLIP MATERIAL 97
- NAME OF TIMELINE ELEMENTS 98
- INSERT 98
- OVERWRITE 99
- MATCH FRAME REPLACE 101
- PROCEDURE IN THE PLAYER 101
- ROCEDURE WITH THE SHUTTLEPRO 102
- Principle 103
- 3-Point Edit 104
- 4-Point Edit 104
- Possible Cases 104
- ACTIONS 105
- • Position the nowline 106
- • the Database Explorer 106
- General Principles 107
- OVERVIEW 108
- GENERAL RULES 108
- Description 109
- Procedure 109
- • Press on the keyboard 109
- INTRODUCTION 112
- PROCEDURE 112
- TIMELINE 115
- PRINCIPLE 116
- Second Method 117
- POSSIBLE ELEMENT SELECTIONS 119
- POSSIBLE MOVE TYPES 119
- 4.8.1 INTRODUCTION 122
- EXAMPLE OF EXTEND 123
- PRINCIPLES 128
- ELEMENT 129
- TIMELINE ELEMENT 130
- 4.9.1 INTRODUCTION 131
- Before the Trim Action 132
- During the Trim Action 132
- After the Trim Action 132
- OW TO ACTIVATE THE TRIM MODE 134
- HOW TO CHANGE THE TRIM MODE 135
- TRANSITION 136
- 4.9.4 POSSIBLE TRIM ACTIONS 137
- Example: Shift to the left 138
- TRIM LEFT IN INSERT MODE 139
- TRIM LEFT IN OVERWRITE MODE 140
- TRIM RIGHT IN INSERT MODE 141
- TRIM RIGHT IN OVERWRITE MODE 142
- RIMMING TIMELINE ELEMENTS 143
- SHORTCUTS 144
- 4.10.1 OVERVIEW 146
- EXAMPLE 147
- OW TO ACTIVATE THE SLIP MODE 148
- HOW TO LEAVE THE SLIP MODE 149
- 4.11.1 OVERVIEW 154
- During the Slide Action 156
- Final Situation 156
- HOW TO LEAVE THE SLIDE MODE 158
- 4.12 TRANSITION EFFECTS 161
- APPLY THE EFFECTS 162
- 4.12.3 EFFECT TYPES 163
- 4.12.4 EFFECT DURATION 164
- 4.12.5 EFFECT POSITIONS 164
- TRACKS GROUP BOX 166
- TRANSITION EFFECT GROUP BOX 167
- VIDEO TRANSITION GPI 168
- spin box 169
- TRANSITION EFFECTS 170
- DDING TRANSITION EFFECTS 171
- ODIFYING TRANSITION EFFECTS 175
- SAME CLIP 176
- ELEMENTS 176
- 4.13 AUDIO SWAPS AND MUTES 177
- SWAP/MUTE FUNCTION 178
- AUTOMATIC SWAP DEFINITION 178
- AUTOMATIC MUTE DEFINITION 178
- WINDOW VARIATIONS 185
- SWAP SOURCES / OUTPUTS 186
- ADDITIONAL OPTIONS 186
- 4.13.8 ADDING AUDIO SWAPS 187
- ELEMENTS OF AN AUDIO TRACK 189
- GIVEN POINTS OF A TRACK 190
- 4.13.10 DELETING AUDIO SWAPS 191
- AUDIO TRACK NAME 193
- O DB LINE 193
- 4.14.10 RESETTING THE VOLUME 200
- REPLACE FUNCTION 201
- 4.15.2 PROCESS OVERVIEW 202
- INTO THE TIMELINE 203
- 4.15.4 REPLACE SETTINGS 204
- PRE-ROLL AND POST-ROLL 205
- AUDIO SWAP INPUT MATRIX 207
- Example 208
- AUDIO GROUP TRACK MUTE 209
- FUNCTION 210
- DEFINITION 213
- 4.16.2 ADDING LOCATORS 214
- OW TO MODIFY LOCATORS 215
- 4.17 USING GPIS IN IPEDIT 216
- GPI USE IN IPEDIT 217
- GPI AND SLOW MOTION 217
- OVERVIEW OF GPI SETTINGS 217
- GPI TYPES IN IPEDIT 217
- 4.17.2 REPLACE GPIS 218
- 4.17.4 CLIP GPIS 218
- GPI DISPLAY 219
- HOW TO MOVE A CLIP GPI 220
- 4.18.1 OVERVIEW 221
- WHAT ARE THE LIMITATIONS? 222
- 4.19 IPEDIT SETTINGS 223
- 4.19.2 MACRO COMMANDS 224
- 4.19.3 REPLACE SETTINGS 224
- ShuttlePRO 225
- Glossary 227
- +32 4 361 7000 229
- +1 973 575 7811 229
- +852 2914 2501 229
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