Evs XEDIO CleanEdit Version 4.2 - June 2012 User Manua Manual de usuario Pagina 15
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Xedio Suite Version 4.2 – User Manual – CleanEdit
EVS Broadcast Equipment – June 2012
Issue 4.2.B
1
1. Introduction
1.1 GENERAL DESCRIPTION
Xedio CleanEdit is a non-linear editing system offering full integration with remote
camcorders – Sony XDCAM™, XDCAM EX™ and Panasonic P2™ in SD and HD.
Xedio CleanEdit enables journalists to edit stories in standard and high-definition
from remote locations. As soon as the editor is back in the newsroom, the edit can
be shared through this integrated news production system. In addition, Xedio
CleanEdit can be operated remotely on a laptop or installed on a PC.
1.2 MAIN WINDOW
The CleanEdit user interface is composed of two distinct zones, highlighted on the
image below. Each zone contains well defined functions in the workflow of the
CleanEdit application.
- USER MANUAL 1
- COPYRIGHT 3
- DISCLAIMER 3
- IMPROVEMENT REQUESTS 3
- REGIONAL CONTACTS 3
- USER MANUALS ON EVS WEBSITE 3
- Table of Contents 5
- VII 9
- Issue 4.2.B 10
- About this Manual 11
- What’s New on 13
- CleanEdit V4.02? 13
- 1. Introduction 15
- 1.4 TABS IN THE WORK AREA 18
- 2. The Basics 19
- 2.3 OPENING A NEW PROJECT 20
- • Project name 21
- • Video standard 21
- 2.5 CREATING AN EDIT 24
- 2.8.1 INTRODUCTION 28
- 2.9 CHECKING THE EDIT 30
- 2.10.1 PLAYING OUT THE EDIT 32
- EXPORT PROCESS TO A FILE 33
- 3. Importing Media 35
- 3.1.2 IMPORTABLE MEDIA 36
- AND CLIPS IN AN EDIT 37
- 4. Searching for and 38
- Managing Media 38
- 4.2 ELEMENTS GRID 39
- 4.3 SEARCHING THE DATABASE 41
- QUICK TEXT SEARCH RULES 42
- 4.3.3 ADVANCED FILTERS 43
- Criteria Combination 44
- Filter Fields 44
- FILTER FIELDS 45
- SEARCH FIELDS TYPES 46
- 4.3.4 USING SAVED FILTERS 49
- HOW TO SAVE FILTERS 50
- HOW TO APPLY A SAVED FILTER 50
- 5. Managing Projects 51
- 5.2 PROJECT ZONE 53
- REATING A NEW PROJECT 55
- 5.2.6 IMPORTING A PROJECT 56
- 5.3 MEDIA ZONE 57
- 5.3.3 MEDIA CONTEXTUAL MENU 58
- 5.4 EDIT ZONE 59
- 5.4.4 CREATING AN EDIT 61
- General Tab 62
- • stored in the database 63
- 5.4.5 DUPLICATING AN EDIT 64
- 5.4.6 COPYING AN EDIT 65
- 5.5 CLIP ZONE 66
- 5.5.3 ADDING CLIPS 67
- 5.5.4 CLIP CONTEXTUAL MENU 67
- 6. Main Workspace for 71
- 6.2 PLAYER AREA 72
- CTIVATING THE PLAYER AREA 74
- TRANSPORT CONTROLS 76
- MEDIA BAR 79
- OWLINE, MARK IN AND MARK OUT 80
- CLIP CREATION FIELDS 81
- HOW TO MAKE A CLIP 82
- HOW TO MODIFY A CLIP 82
- Audio Channel Assignment 83
- • up to 8 stereo pairs 84
- Overview 84
- Video and Audio Selection 85
- Audio Monitoring Selection 86
- Examples 86
- DEFINITION 87
- INTERNAL AND EXTERNAL LOGS 87
- Logs Display Selection 88
- PLAYER AREA 89
- CleanEdit Tab 90
- Metadata Tab 90
- 6.3 RECORDER AREA 91
- CTIVATING THE RECORDER AREA 92
- EDIT INFORMATION 93
- 6.5 TIMELINE AREA 99
- 6.5.2 TIMECODE BAR 100
- SCALE BAR 101
- MOVE BAR 101
- NOWLINE 101
- MARK IN / MARK OUT POINTS 102
- DESCRIPTION 102
- OVERVIEW 103
- COLORS ON THE VIDEO TRACK 104
- COLORS ON THE AUDIO TRACK 104
- INTRODUCTION 104
- Clip Commands 105
- Undo/Redo Commands 106
- Settings Commands 106
- IMECODE AND DURATION FIELDS 108
- Introduction 111
- Audio Output Matrix Overview 112
- Possible Matrix Displays 113
- Stereo to 5.1 114
- 5.1 to Stereo 114
- TRACK ZOOM 115
- 103 117
- 105 119
- 7. General Editing 121
- ELEMENTS 122
- 7.1.3 REMOVING MARKS 122
- 7.2 SELECTING TECHNIQUES 123
- 7.3.1 INTRODUCTION 124
- INSERT AND OVERWRITE MODES 125
- AUDIO TYPE 126
- POSITION 127
- METHODS 129
- EXAMPLE 130
- 117 131
- TIMELINE 132
- 119 133
- 7.5.1 INTRODUCTION 134
- THE TIMELINE 135
- PROCEDURE 136
- 7.8 CUE POINTS 142
- 129 143
- 7.9.1 INTRODUCTION 144
- 7.9.2 EXTEND MODES 144
- DEFINITION AND VARIATIONS 145
- OPERATION 146
- 133 147
- SPEED COMMAND 149
- ENDERING FAST MOTION CLIPS 150
- 137 151
- 7.11.4 ROLLING A CLIP 154
- HOW TO ROLL A CLIP 155
- 8. Advanced Video 157
- Editing 157
- 145 159
- • the duration in frames 160
- • the position of the mix: 160
- BORDER WIPE 161
- DIP TO COLOR 162
- EMOVING TRANSITION EFFECTS 163
- 8.3 VIDEO CLIP EFFECTS 165
- IMPLE VIDEO CLIP EFFECTS 166
- COLOR FADE 167
- COLOR CORRECTION 168
- HIGHLIGHT 169
- PIXEL MASK 169
- ZOOM LINEAR 170
- 157 171
- HOW TO COPY A VIDEO EFFECT 173
- HOW TO PASTE A VIDEO EFFECT 173
- 8.4 CONVERSION EFFECTS 174
- 16:9 and also a 175
- 9. Editing in Place 176
- 9.2 SOURCE DEVICE AREA 177
- 9.3 WORKSPACE AREA 178
- PURPOSE 179
- SELECTING TECHNIQUES 179
- DISPLAYED COLUMNS 181
- ELEMENT GRID CONTEXTUAL MENU 181
- 169 183
- HOW TO ADD AND SCAN A FOLDER 184
- FOLDER DISPLAY PROPERTIES 184
- MANAGING THE FOLDERS 184
- • the Thumbnail view 185
- • the List view 185
- 9.6 ADDING LOGS TO A CLIP 187
- 9.6.3 L 188
- DISPLAY 188
- 175 189
- 10. Advanced Audio 190
- EFFECTS 191
- SAME TRACK 193
- SAME CLIP 195
- DJUSTING AUDIO TRANSITIONS 196
- EMOVING AUDIO TRANSITIONS 196
- 183 197
- 10.4.1 INTRODUCTION 199
- 187 201
- 10.5.2 H 202
- REMOVE AN AUDIO WAVEFORM 202
- 189 203
- 11. Voiceover, Graphics 204
- 191 205
- Audio Meters 206
- 11.1.3 VOICEOVER PROCESS 207
- RECORDING THE VOICEOVER 208
- Go to Voiceover Mark IN 209
- Go to Voiceover Mark OUT 209
- 11.2.1 INTRODUCTION 211
- 199 213
- 11.2.6 MOVING TAG POINTS 215
- 11.2.7 HOW TO DELETE TAGS 216
- GRAPHICS 217
- HARACTER GENERATOR PROCESS 218
- 205 219
- How to Add Text 220
- Text Sub-tab 221
- Edge Sub-tab 221
- Background Sub-tab 223
- ADDING GRAPHICS 224
- APPLYING A TEMPLATE 225
- 213 227
- EDITING AREA DURATION 228
- EDITING PAGE PROPERTIES 228
- 215 229
- 12. Header Maker 230
- 12.3 OPERATIONS 231
- 13. Final Stages in the 232
- Editing Process 232
- 13.2 PLAYING OUT AN EDIT 233
- 13.2.3 PLAYOUT TAB 234
- INFORMATION ZONE 235
- CONTROL ZONE 235
- 13.3.1 INTRODUCTION 236
- 223 237
- 13.3.3 EXPORT TAB 238
- DESTINATION ZONE 239
- Exporting to a File 240
- Exporting to Device 241
- Exporting to Target 242
- EXPORT INFORMATION ZONE 243
- 13.4 MONITORING TASKS 245
- 13.4.3 FILTERING TASKS 246
- Machine IP address 247
- Appendix 1 – 248
- ShuttlePRO 248
- Appendix 2 – Keyboard 249
- Shortcuts 249
- Appendix 3 – Digigram 250
- Hardware Settings 250
- SETTINGS FOR A 5.1 BOARD 251
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