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The following principles apply to EVS servers equipped with V3X boards:
• The primary links of the V3X boards mentioned in the tables of this section correspond
to the upper connectors of a codec module.
◦ J8 for IN connectors
◦ J7 for OUT connectors (J6 is also equivalent to J7)
• The secondary links of the V3X boards correspond to the middle connectors of a
codec module:
◦ J5 for IN connectors
◦ J3 for OUT connectors
Clip and Record Train Compatibility onXT2+ Servers
• Clips are compatible across all Multicam configurations including Super LSM.
• Record trains are also compatible as long as the number of record channels (cameras)
is not increased in LSM mode.
Example
◦ SuperLSM ® 2CAM (Fx): Record trains are lost.
◦ 4CAM (Fx) ® 3CAM (Cut): Record trains are kept.
• Record trains are always kept in Spotbox mode (all modes except LSM), even when
the number of record trains is increased.
CONFIGURATION MANUAL XT2+ Server 11.02
3. Multicam Configuration 57
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- 3. MULTICAM CONFIGURATION 44 5
- GLOSSARY 217 6
- What's New? 7
- 1. Introduction 9
- Simple User Interface 10
- Easy Audio Configuration 10
- Documented User Interfaces 11
- 1.3. Starting the EVS Server 12
- Prerequisite 13
- Procedure 13
- 2. Multicam Setup 14
- 2. Multicam Setup 7 15
- Description of the Areas 16
- General Navigability 17
- In the Web-Based Interface 18
- 2.2. Configuration Lines 19
- Automatic Launch 20
- How to Edit a Configuration 20
- Invalid Configuration 21
- 2. Multicam Setup 15 23
- 2. Multicam Setup 17 25
- 18 2. Multicam Setup 26
- Configuration Lines 28
- 2.3. Server Parameters 30
- Protection 31
- Settings 34
- How to Set the LAN PC 34
- Supported Formats 35
- Default Raid Configuration 37
- Requested Raid Configuration 37
- Current Raid Configuration 38
- 2.4. Licenses and Maintenance 39
- 32 2. Multicam Setup 40
- 2.5. Server Maintenance 44
- 2.5.3. Hardware Check 45
- Disk Errors and Disconnection 46
- Retrieving Logs 47
- Rebuild Process 48
- 2.5.4. Clearing Video Disks 49
- How to Import a Keyword File 50
- How to Export a Keyword File 50
- 2.5.7. Exporting Log Files 51
- 3. Multicam Configuration 52
- 3. Multicam Configuration 45 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Navigation Commands 61
- Editing Commands 61
- 3.2. Supported Configurations 63
- Channel Assignment 64
- 3. Multicam Configuration 57 65
- XT2+ 6U Servers 66
- Example: 4REC + 2PLAY 67
- Configurations 68
- 3.2.4. SLSM Configurations 69
- 66 3. Multicam Configuration 74
- Assignment Principles 76
- 3. Multicam Configuration 73 81
- 3.3. Server Tab 82
- Video and Reference Settings 83
- Resolution 84
- Horizontal Res. (HD) 85
- Recorded Lines (SD) 85
- LTC Timecode 85
- Sync PC Time to TC 85
- Codec Availability 86
- Codec-Related Information 87
- 80 3. Multicam Configuration 88
- (59.94 Hz) 89
- 82 3. Multicam Configuration 90
- SD (Standard Definition) 92
- HD to SD SDI / SD SDI to HD 93
- 3.3.4. Interpolation Settings 94
- 3.3.5. PC LAN Settings 95
- IP Address 96
- Subnet Mask 96
- Default Gateway 96
- 3.4. Channels Tab 97
- 90 3. Multicam Configuration 98
- 3.4.2. Channels 99
- 92 3. Multicam Configuration 100
- Base Config 101
- SLSM Rec 102
- Port Settings 103
- RS422 #1 - #6 104
- Channels and Control Settings 105
- Main ctrl (Main Controller) 106
- Main Rules for XT2+ server 107
- Standalone Protocol 108
- Exclusive mode - REC Channels 111
- Parallel mode - Play Channels 111
- Parallel mode - REC Channels 112
- Recorder Settings 113
- Clip Capacity 114
- Rec Auto Start 114
- Mix on One Channel Feature 115
- Mix on One Channel Settings 116
- 3.4.3. Audio 117
- Audio Connectors 118
- Number of Tracks 119
- Audio Full Scale 119
- Ancillary Mode 119
- Introduction 120
- General Principles 121
- Audio Input Settings 122
- Example 2 123
- Example 3 123
- Example 4 123
- Audio Output Settings 124
- 3. Multicam Configuration 117 125
- Audio (Embedded) Inputs 127
- Audio Embedded Outputs 127
- Audio Digital Outputs 128
- Audio Analog 129
- Collective Editing Actions 130
- Individual Editing Actions 130
- Commands 131
- Dolby Audio Management 132
- Timecode Settings 133
- Timecode Insertion Settings 134
- HD OUT (in HD) 135
- SD OUT (in HD and SD) 136
- SMPTE Package Settings 137
- Decoding 138
- Encoding 138
- Custom 1/2 138
- SD OUT Encoding 139
- 3.5. Network Tab 140
- 3.5.2. SDTI Settings 141
- Net Name 142
- Net Number 142
- 3.5.3. Gigabit Settings 143
- User Interface 144
- IP Address (Port 1/Port 2) 144
- Subnet Mask (Port 1/Port 2) 144
- 3. Multicam Configuration 137 145
- 3.6. Monitoring Tab 146
- 3.6.2. Multiviewer Settings 147
- Available Layouts 148
- Display 1 to 8 149
- Audio Monitoring from video 149
- Aspect ratio - Videos 149
- 3.6.3. OSD Settings 150
- Genlock Error 151
- Disk Error 151
- Network error 151
- Clip name 151
- Char OUT J4 152
- Char OUT J1 153
- OUTBJ3 153
- Aspect ratio 153
- SDEdge Enh 153
- RECHD->SD Low latency 153
- 3.7. Protocol Tab 154
- 3. Multicam Configuration 147 155
- 3.7.3. Clip Identifiers 157
- 3.7.4. Sony BVW Settings 158
- 3.7.5. EditRec 159
- Overview on Edit Rec Settings 160
- Edit Rec 1/2 Setting 160
- Default PL 161
- Audio Settings for Edit Rec 162
- Serial Sony LTC 163
- Serial Sony VITC 163
- User TC of created clips 164
- Channel Settings for Edit Rec 165
- OSD Settings for Edit Rec 166
- 3.7.6. RS422VarID Settings 167
- 160 3. Multicam Configuration 168
- VarID Configuration File 169
- Uniqueness 169
- VDCP Visibility 170
- 3.8. GPI Tab 171
- 3.8.2. GPI Settings 172
- TTL GPIs set as GPIs 173
- GPIs IN - Channel/Device 173
- GPIs IN - Port 173
- GPIs IN - Function 174
- GPIs IN - Delay 174
- GPIs OUT - Function 175
- GPIs OUT - Type 175
- GPIs OUT - Advance 175
- GPIs OUT - Pulse duration 175
- 3.8.3. Tally Settings 176
- Add Clip to PL 177
- Clips guardbands 177
- 3.9. Operation Tab 178
- Clips Settings 179
- Playlist Settings 179
- Miscellaneous Settings 180
- Controller Settings 180
- 3. Multicam Configuration 173 181
- 3.9.2. OSD Settings 182
- Cue number on OSD 183
- OSD on outputs 183
- OSD on inputs 183
- Background 183
- Audio meters 184
- DB Adjust 184
- Thickness 185
- 3.9.4. Clips Settings 186
- Make clip rem. trains 187
- Guardbands 187
- Default clip duration 188
- Autoname clips 188
- Clip post-roll 189
- Mark cue point 189
- Record trains OUTs 190
- Default copy/move 190
- Freeze on cue points 191
- Protocol Receive page 191
- Playlist Receive page 191
- 3.9.5. Playlist Settings 192
- Availability 193
- Video effect duration 193
- Audio locked to video 193
- Audio effect duration 194
- Wipe type 194
- Default playlist speed 194
- Insert in playlist 194
- Confirm Ins/Del clips 195
- Advanced audio editing 195
- Extend split transition 195
- Swap audio tracks 196
- Playlist loop 196
- Playlist auto fill 197
- Fade to/from color 197
- Load Playlist 197
- 3.9.6. Timeline Settings 198
- 3.9.7. Protection Settings 199
- Clip edit by network 200
- 3.9.8. Keywords Settings 201
- Keyword files 202
- Keyword mode 202
- 3.9.9. Push Settings 203
- Push Target 204
- Push Target 1 / 2 204
- Push Mode 205
- Push Receive Page 205
- 3.9.10. Audio Settings 206
- Lipsync value (ms) 207
- Aux track output 207
- Effect duration for take 209
- Fast jog 209
- PGM Speed / var max 209
- Lever engage mode 210
- Second lever range 210
- Recall clip toggle 211
- Record key 211
- Pointing device 211
- VGA & Remote sync 212
- Call channel VGA 212
- PGM/PRV mode 213
- Internal loop mode 213
- Grab image 214
- Browse button 214
- Default XFile 214
- 3.9.12. Cam Mapping Settings 215
- Cam Mapping 216
- Principles 216
- Remote Panel Assignment 217
- Hypermotion 218
- Recorder 219
- Remote mode 219
- Protocol 219
- IPAddress 220
- Dial Speed 220
- Paint/target transition 221
- Set colour for 221
- Custom Y 222
- Custom U 222
- Custom V 222
- Split screen tracking 223
- Paint/target OSD mon 223
- Offside line 223
- External offside 224
- IP address 224
- Default tool 224
- Auto mark 224
- Glossary 225
- 218 Glossary 226
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