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Issue 5.6.A IPDirector V.5.6 – User Manual – Part 7: Editing - IPEdit
EVS Broadcast Equipment - 2009
150
4.13 AUDIO SWAPS AND MUTES
4.13.1 INTRODUCTION TO THE SWAP/MUTE FUNCTION
DEFAULT AUDIO TRACK AND CHANNEL ALLOCATION
By default, the tracks and channels of the source media are added in a linear way
and in the same sequence when an element is added to a timeline.
The following schema shows how the channels and tracks of a source media with 4
tracks of 2 mono channels are added into the timeline:
- User’s Manual 1
- COPYRIGHT 2
- DISCLAIMER 2
- IMPROVEMENT REQUESTS 2
- Table of Contents 3
- About this Manual 7
- PART 3: BROWSING 8
- PART 4: INGEST 8
- PART 6: PLAYOUT - PLAYLIST 9
- PART 7: EDITING 9
- 1. Introduction 10
- 1.4 USER INTERFACE 11
- 1.3 LIMITATIONS 11
- RESIZING THE MAIN WINDOW 12
- IPEDIT OUTLINE 13
- ACTIVATING A PANE IN IPEDIT 13
- 1.4.2 PLAYER 14
- 1.4.3 BROWSER 14
- 1.4.4 TIMELINE 14
- 2. Browser 17
- DEFINITION 18
- 2.3.1 GENERAL INFORMATION 19
- LOADABLE MEDIA 20
- LIMITATIONS 20
- 3. Player 22
- 3.2.1 PRINCIPLE 23
- 3.2.2 DISPLAY 23
- UTOMATIC PGM ASSIGNMENT 24
- 3.3 VIDEO DISPLAY 26
- 3.4.1 LOCK ICON 27
- 3.4.2 LOADED MEDIA FIELD 28
- 3.4.3 LSM ID FIELD 28
- 3.4.4 TIME CODE FIELD 28
- 3.4.5 DURATION FIELD 29
- HEN A RECORD TRAIN IS LOADED 30
- 3.4.6 JOG BAR 31
- 3.5.1 PURPOSE 32
- 3.5.2 BUTTON DESCRIPTION 32
- 3.6.1 PURPOSE 36
- 3.6.2 INSERT FUNCTION 36
- 3.6.3 OVERWRITE FUNCTION 37
- 3.7 PLAYER TRACK SELECTION 38
- 3.7.4 EXAMPLE 39
- 3.8 AUDIO MONITORING 40
- HEADPHONES 41
- TEMPLATE 41
- HOW TO LOAD A TEMPLATE 42
- HOW TO DELETE A TEMPLATE 42
- 3.9.1 CLIPS 43
- 3.9.2 TRAINS 44
- 3.9.3 LOG 44
- 4. Timeline 45
- 4.1.2 TIMELINE DISPLAY 46
- TIME CODE BAR 47
- NOWLINE 47
- MARK IN /OUT POINTS 47
- LASSO SELECTION AREA 48
- INSERT/OVERWRITE GLOBAL MODE 51
- SET TIMELINE MARK IN 52
- SET TIMELINE MARK OUT 52
- MARK CURRENT CLIP SELECTION 52
- CLEAR TIMELINE MARKS 53
- ADD EDIT AT THE NOWLINE 53
- MATCH FRAME IN PLAYER 54
- GO TO MARK IN 54
- GO TO MARK OUT 54
- CLEAR MARK IN 54
- FUNCTIONS 55
- START REPLACE 59
- AUDIO MONITORING 59
- GO TO NEXT ELEMENT 59
- GO TO PREVIOUS ELEMENT 59
- NEXT FRAME 59
- PREVIOUS FRAME 60
- NEXT 10 FRAMES 60
- PREVIOUS 10 FRAMES 60
- PLAY FORWARD (MULTISPEED) 60
- FAST REWIND (MULTISPEED) 61
- GO TO END OF TIMELINE 61
- MARK IN TC 62
- MARK OUT TC 62
- NOWLINE TC 62
- TIMELINE DURATION 63
- SCALE BAR 64
- MOVE BAR 64
- VOLUME AUTOMATION MODE 64
- SWAP / MUTE ZOOM MODE 64
- MUTE BUTTON 65
- 4.2 TIMELINE MANAGEMENT 66
- HOW TO CREATE A NEW TIMELINE 67
- Left Pane 69
- 4.2.4 OPENING A TIMELINE 71
- OW TO CLOSE A TIMELINE 73
- OW TO CLEAR A TIMELINE 73
- OW TO DELETE A TIMELINE 73
- 4.2.9 COPYING A TIMELINE 74
- HOW TO COPY A TIMELINE 75
- 4.3 TIMELINE EDITING 77
- BY CLICKING 80
- 4.5.1 GENERAL PRINCIPLES 82
- INSERT 83
- OVERWRITE 84
- MATCH FRAME REPLACE 86
- PROCEDURE IN THE PLAYER 86
- ROCEDURE WITH THE SHUTTLEPRO 88
- Principle 89
- Possible Cases 90
- 3-Point Edit 90
- 4-Point Edit 90
- ACTIONS 91
- GENERAL RULES 93
- Available Material 94
- Procedure 94
- • On the keyboard, press 96
- Second Method 99
- TIMELINE 100
- POSSIBLE MOVE TYPES 101
- Issue 5.6.A 102
- 4.8.1 INTRODUCTION 103
- After an Extend Action 104
- ELEMENT 109
- TIMELINE ELEMENT 110
- • on the selected tracks 111
- 4.9.1 INTRODUCTION 112
- Before the Trim Action 113
- During the Trim Action 113
- After the Trim Action 113
- OW TO ACTIVATE THE TRIM MODE 115
- HOW TO CHANGE THE TRIM MODE 116
- TRANSITION 117
- 4.9.4 POSSIBLE TRIM ACTIONS 118
- Example: Shift to the left 119
- TRIM LEFT IN INSERT MODE 120
- TRIM LEFT IN OVERWRITE MODE 121
- TRIM RIGHT IN INSERT MODE 122
- TRIM RIGHT IN OVERWRITE MODE 123
- OVERVIEW OF THE TRIM METHODS 124
- SHORTCUTS 126
- 4.10.1 OVERVIEW 128
- EXAMPLE 129
- During the Slipping Action 130
- Final Situation 130
- OW TO ACTIVATE THE SLIP MODE 131
- HOW TO LEAVE THE SLIP MODE 132
- 4.11.1 OVERVIEW 135
- During the Slide Action 136
- HOW TO LEAVE THE SLIDE MODE 138
- 4.12 TRANSITION EFFECTS 142
- APPLY THE EFFECTS 143
- 4.12.3 EFFECT TYPES 144
- 4.12.4 EFFECT DURATION 145
- 4.12.5 EFFECT POSITIONS 146
- OVERVIEW 147
- TRACKS GROUP BOX 148
- TRANSITION EFFECT GROUP BOX 148
- VIDEO TRANSITION GPI 150
- RANSITION EFFECT SETTINGS 151
- TRANSITION EFFECTS 152
- ODIFYING TRANSITION EFFECTS 157
- ELETING TRANSITION EFFECTS 158
- 4.13 AUDIO SWAPS AND MUTES 159
- SWAP/MUTE FUNCTION 160
- AUTOMATIC SWAP DEFINITION 160
- AUTOMATIC MUTE DEFINITION 160
- DISPLAY 161
- DESCRIPTION 162
- WINDOW VARIATIONS 167
- SWAP SOURCES / OUTPUTS 168
- ADDITIONAL OPTIONS 169
- 4.13.8 ADDING AUDIO SWAPS 170
- ELEMENTS OF AN AUDIO TRACK 173
- GIVEN POINTS OF A TRACK 173
- 4.13.10 DELETING AUDIO SWAPS 174
- AUDIO TRACK NAME 177
- O DB LINE 177
- 4.14.10 RESETTING THE VOLUME 184
- ADD EXTERNAL EFFECTS 185
- PRINCIPLE 186
- INTO THE TIMELINE 186
- 4.15.3 REPLACE SETTINGS 187
- PRE-ROLL AND POST-ROLL 188
- Introduction 189
- BOUNDARY MARK GPIS 190
- spin box 191
- AUDIO CHANNEL INPUT MATRIX 192
- Example 193
- OW TO CANCEL A REPLACE 196
- 4.16 USING GPIS IN IPEDIT 197
- 4.16.2 REPLACE GPIS 198
- 4.16.4 CLIP GPIS 199
- HOW TO MODIFY A CLIP GPI 201
- HOW TO DELETE A CLIP GPI 201
- ShuttlePRO 202
- Glossary 204
- +852 2914 2501 206
- +32 4 361 7000 206
- +1 973 575 7811 206
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