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3.9.6. Timeline Settings
User Interface
These fields are available in the following interfaces:
• in the Multicam Configuration window, Operation tab, in the basic display mode:
◦ on page 3 on the server-based application
◦ on page 1 on the web-based interface
• in the Operational setup menu of the Remote Control Panel (4.1)
The Timeline settings relate to the audio groups in timelines.
The following screenshot presents page 3 of the Operation tab in the server-based
application, where the Timeline settings are available, and highlights the Timeline settings
area:
Mono per group
Description Defines how many audio mono channels are associated to
each of both audio tracks of a timeline.
Values The following values are possible, depending on the value
defined for the Number of tracks setting in the Channels tab:
# tracks Possible values
4 2
8 4 (default) , 2+6, 6+2
16 8
Note
The 2+6 feature is particularly useful when working in Dolby audio to assign a
timeline track to the stereo pair and the other track to the Dolby 5.1 audio
CONFIGURATION MANUAL XT2 Server 11.02
3. Multicam Configuration 183
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- 3. MULTICAM CONFIGURATION 44 5
- GLOSSARY 210 6
- What's New? 7
- 1. Introduction 9
- Simple User Interface 10
- Easy Audio Configuration 10
- Documented User Interfaces 11
- 1.3. Starting the EVS Server 12
- Prerequisite 13
- Procedure 13
- 2. Multicam Setup 14
- 2. Multicam Setup 7 15
- Description of the Areas 16
- General Navigability 17
- In the Web-Based Interface 18
- 2.2. Configuration Lines 19
- Automatic Launch 20
- How to Edit a Configuration 20
- Invalid Configuration 21
- 2. Multicam Setup 15 23
- 2. Multicam Setup 17 25
- 18 2. Multicam Setup 26
- Configuration Lines 28
- 2.3. Server Parameters 30
- Protection 31
- Settings 34
- How to Set the LAN PC 34
- Supported Formats 35
- Default Raid Configuration 37
- Requested Raid Configuration 37
- Current Raid Configuration 38
- 2.4. Licenses and Maintenance 39
- 32 2. Multicam Setup 40
- 2.5. Server Maintenance 44
- 2.5.3. Hardware Check 45
- Disk Errors and Disconnection 46
- Retrieving Logs 47
- Rebuild Process 48
- 2.5.4. Clearing Video Disks 49
- How to Import a Keyword File 50
- How to Export a Keyword File 50
- 2.5.7. Exporting Log Files 51
- 3. Multicam Configuration 52
- 3. Multicam Configuration 45 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Navigation Commands 61
- Editing Commands 61
- 3.2. Supported Configurations 63
- Channel Assignment 64
- XT2 4U Servers 65
- XT2 6U Servers 66
- Example: 4REC + 2PLAY 67
- Configurations 68
- 3.2.4. SLSM Configurations 69
- 3. Multicam Configuration 65 73
- 68 3. Multicam Configuration 76
- 3.3. Server Tab 77
- Video and Reference Settings 78
- Resolution 79
- Horizontal Res. (HD) 80
- Recorded Lines (SD) 80
- LTC Timecode 80
- Sync PC Time to TC 80
- Codec Availability 81
- Codec-Related Information 82
- 3. Multicam Configuration 75 83
- (59.94 Hz) 84
- 3. Multicam Configuration 77 85
- SD (Standard Definition) 87
- HD to SD SDI / SD SDI to HD 88
- 3.3.4. Interpolation Settings 89
- 3.3.5. PC LAN Settings 90
- IP Address 91
- Subnet Mask 91
- Default Gateway 91
- 3.4. Channels Tab 92
- 3. Multicam Configuration 85 93
- 3.4.2. Channels 94
- 3. Multicam Configuration 87 95
- Base Config 96
- SLSM Rec 97
- Port Settings 98
- Channels and Control Settings 99
- Main ctrl (Main Controller) 100
- 3. Multicam Configuration 93 101
- Main Rules for XT2 server 102
- Standalone Protocol 103
- Exclusive mode - REC Channels 106
- Parallel mode - Play Channels 106
- Parallel mode - REC Channels 107
- Recorder Settings 108
- Clip Capacity 109
- Rec Auto Start 109
- 3.4.3. Audio 110
- Audio Connectors 111
- Number of Tracks 112
- Audio Full Scale 112
- Ancillary Mode 112
- Introduction 113
- General Principles 114
- Audio Input Settings 115
- Example 2 116
- Example 3 116
- Example 4 116
- Audio Output Settings 117
- 110 3. Multicam Configuration 118
- Audio (Embedded) Inputs 120
- Audio Embedded Outputs 120
- Audio Digital Outputs 121
- Audio Analog 122
- Collective Editing Actions 123
- Individual Editing Actions 123
- Commands 124
- Dolby Audio Management 125
- Timecode Settings 126
- Timecode Insertion Settings 127
- HD OUT (in HD) 128
- SD OUT (in HD and SD) 129
- SMPTE Package Settings 130
- Decoding 131
- Encoding 131
- Custom 1/2 131
- SD OUT Encoding 132
- 3.5. Network Tab 133
- 3.5.2. SDTI Settings 134
- Net Name 135
- Net Number 135
- 3.5.3. Gigabit Settings 136
- User Interface 137
- IP Address (Port 1/Port 2) 137
- Subnet Mask (Port 1/Port 2) 137
- 130 3. Multicam Configuration 138
- 3.6. Monitoring Tab 139
- 3.6.2. Multiviewer Settings 140
- Available Layouts 141
- Display 1 to 8 142
- Audio Monitoring from video 142
- Aspect ratio - Videos 142
- 3.6.3. OSD Settings 143
- Genlock Error 144
- Disk Error 144
- Network error 144
- Clip name 144
- Char OUT J4 145
- Char OUT J1 146
- OUTBJ3 146
- Aspect ratio 146
- SDEdge Enh 146
- RECHD->SD Low latency 146
- 3.7. Protocol Tab 147
- 140 3. Multicam Configuration 148
- 3.7.3. Clip Identifiers 150
- 3.7.4. Sony BVW Settings 151
- 3.7.5. EditRec 152
- Overview on Edit Rec Settings 153
- Edit Rec 1/2 Setting 153
- Default PL 154
- Audio Settings for Edit Rec 155
- Serial Sony LTC 156
- Serial Sony VITC 156
- User TC of created clips 157
- Channel Settings for Edit Rec 158
- OSD Settings for Edit Rec 159
- 3.7.6. RS422VarID Settings 160
- 3. Multicam Configuration 153 161
- VarID Configuration File 162
- Uniqueness 162
- VDCP Visibility 163
- 3.8. GPI Tab 164
- 3.8.2. GPI Settings 165
- GPIs IN - Port 166
- TTL GPIs set as GPIs 166
- GPIs IN - Channel/Device 166
- GPIs IN - Function 167
- GPIs IN - Delay 167
- GPIs OUT - Function 168
- GPIs OUT - Type 168
- GPIs OUT - Advance 168
- GPIs OUT - Pulse duration 168
- 3.8.3. Tally Settings 169
- Add Clip to PL 170
- Clips guardbands 170
- 3.9. Operation Tab 171
- Clips Settings 172
- Playlist Settings 172
- Miscellaneous Settings 173
- Controller Settings 173
- 166 3. Multicam Configuration 174
- 3.9.2. OSD Settings 175
- Cue number on OSD 176
- OSD on outputs 176
- OSD on inputs 176
- Background 176
- Audio meters 177
- DB Adjust 177
- Thickness 178
- 3.9.4. Clips Settings 179
- Make clip rem. trains 180
- Guardbands 180
- Default clip duration 181
- Autoname clips 181
- Clip post-roll 182
- Mark cue point 182
- Record trains OUTs 183
- Default copy/move 183
- Freeze on cue points 184
- Protocol Receive page 184
- Playlist Receive page 184
- 3.9.5. Playlist Settings 185
- Availability 186
- Video effect duration 186
- Audio locked to video 186
- Audio effect duration 187
- Wipe type 187
- Default playlist speed 187
- Insert in playlist 187
- Confirm Ins/Del clips 188
- Advanced audio editing 188
- Extend split transition 188
- Swap audio tracks 189
- Playlist loop 189
- Playlist auto fill 190
- Fade to/from color 190
- Load Playlist 190
- 3.9.6. Timeline Settings 191
- 3.9.7. Protection Settings 192
- Clip edit by network 193
- 3.9.8. Keywords Settings 194
- Keyword files 195
- Keyword mode 195
- 3.9.9. Push Settings 196
- Push Target 197
- Push Target 1 / 2 197
- Push Mode 198
- Push Receive Page 198
- 3.9.10. Audio Settings 199
- Lipsync value (ms) 200
- Aux track output 200
- Effect duration for take 202
- Fast jog 202
- PGM Speed / var max 202
- Lever engage mode 203
- Second lever range 203
- Recall clip toggle 204
- Record key 204
- Pointing device 204
- VGA & Remote sync 205
- Call channel VGA 205
- PGM/PRV mode 206
- Internal loop mode 206
- Grab image 207
- Browse button 207
- Default XFile 207
- 3.9.12. Cam Mapping Settings 208
- Cam Mapping 209
- Principles 209
- Remote Panel Assignment 210
- Hypermotion 211
- Recorder 212
- Remote mode 212
- Protocol 212
- IPAddress 213
- Dial Speed 213
- Paint/target transition 214
- Set colour for 214
- Custom Y 215
- Custom U 215
- Custom V 215
- Split screen tracking 216
- Paint/target OSD mon 216
- Offside line 216
- External offside 217
- IP address 217
- Default tool 217
- Auto mark 217
- Glossary 218
- Glossary 211 219
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