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Example 2
In this example, the audio configuration of the source media is 2 tracks of 8 channels.
From the Swap/Mute Configuration window, you swap the a3/a4 channels of the source
media to the a1/a2 output channels of the selected track on the timeline, the a5/a6
channels to the a3/a4 output channels, the a7/a8 channels to the a5/a6 output channels.
The a7/a8 output channels are muted:
In the timeline, this is shown as follows:
When you click the Swap/Mute Zoom Mode button, the final situation is reflected by:
178 6. Timeline
EVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A
- USER MANUAL 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 5
- IV Table of Contents 6
- 6. TIMELINE 43 7
- VI Table of Contents 8
- Table of Contents VII 9
- 7. EDIT WHILE PLAYOUT 227 10
- 8. SUPPORTED KEYBOARDS 244 10
- 9. SHUTTLEPRO 246 10
- GLOSSARY 248 10
- What's New? 11
- X What's New? 12
- 1. Introduction 13
- 1.3. Limitations 14
- 1.4. Opening IPEdit 14
- 2. User Interface 15
- 4 2. User Interface 16
- 2. User Interface 5 17
- 3. Managing Channels 18
- 3. Managing Channels 7 19
- 3.2.1. Description 20
- 3.2.2. Display 20
- 3.2.3. Automatic Unlock 20
- 3.3.1. Purpose 20
- 10 3. Managing Channels 22
- 4. Browser 23
- 12 4. Browser 24
- 14 4. Browser 26
- 5. Player 27
- 16 5. Player 28
- 5.2. Video Display 29
- Automatic Association 30
- Player in IPEdit 30
- 5.4. Loaded Media Information 31
- 5.4.2. Loaded Media Field 32
- 5.4.3. LSM ID Field 32
- 5.4.4. Timecode Field 32
- 5.4.5. Train Name Field 33
- When a Record Train is Loaded 34
- 5.4.7. Jog Bar 35
- 5.5.1. Purpose 35
- 24 5. Player 36
- 5. Player 25 37
- 26 5. Player 38
- 5. Player 27 39
- Pause Button Contextual Menu 40
- Time Information Fields 41
- Timecode Fields Display 41
- 30 5. Player 42
- 5.6. Timeline Editing Buttons 43
- 5.7. Player Track Selection 44
- 1 track of 4 mono channels 45
- 2 tracks of 2 mono channels 45
- 1 track of 8 mono channels 45
- 34 5. Player 46
- 5.8. Audio Monitoring 47
- Parameters 48
- Headphones 49
- 5.9.1. General Information 51
- 5.9.3. Ways to Load Clips 52
- 5.9.4. Ways to Load Trains 53
- 5.9.5. Ways to Load Logs 53
- 42 5. Player 54
- 6. Timeline 55
- 6.1.2. Timeline Name and IDs 56
- 6.1.3. Timeline Display 57
- Timecode Bar 58
- Mark IN /OUT Points 58
- Growing Clips 59
- Background Color 59
- Lasso Selection Area 60
- Functions 61
- 50 6. Timeline 62
- 6. Timeline 51 63
- 52 6. Timeline 64
- 6. Timeline 53 65
- 54 6. Timeline 66
- 6.1.5. Transition Effects Bar 67
- 6.1.6. Locator Buttons 68
- Related Functions 68
- 6. Timeline 57 69
- 58 6. Timeline 70
- Play Forward (Multispeed) 71
- Fast Rewind (Multispeed) 71
- 60 6. Timeline 72
- Keyboard Shortcuts 74
- Scale Bar 74
- Move Bar 75
- Volume Automation Mode 75
- Swap / Mute Zoom Mode 75
- Mute Button 75
- 6.2. Timeline Management 76
- How to Create a New Timeline 77
- Timeline Information Pane 78
- 6. Timeline 67 79
- Metadata Pane 80
- Principles 81
- Conversion Methods 81
- Make a Timeline Online Window 81
- 70 6. Timeline 82
- 6. Timeline 71 83
- Unconverted Features 84
- Audio Channel Assignment 84
- 6.2.4. Opening a Timeline 85
- 74 6. Timeline 86
- 76 6. Timeline 88
- 6. Timeline 77 89
- 6.2.6. Transferring Timelines 90
- 6.3. Timeline Editing 91
- Slow Motion Features 92
- 82 6. Timeline 94
- 6. Timeline 83 95
- 84 6. Timeline 96
- 6. Timeline 85 97
- Selection With the Lasso 99
- 88 6. Timeline 100
- 6.5.1. Applicable Principles 101
- Availability of Clip Material 102
- Introduction 103
- 92 6. Timeline 104
- Overwrite 105
- Match Frame Replace 106
- Procedure in the Player 107
- Procedure with the ShuttlePRO 107
- General Principles 108
- Possible Cases 109
- Principle 109
- 3-Point Edit 109
- 4-Point Edit 110
- Drag-and-Drop Actions 111
- Overview 114
- General Rules 114
- OUT Points 115
- Procedure 116
- Description 117
- Elements 118
- 6. Timeline 107 119
- 6.6.1. Introduction 121
- Timeline 121
- 6.7.1. Introduction 123
- Possible Selections and Moves 124
- Magnet Effect 124
- Possible Element Selections 124
- Possible Move Types 125
- 114 6. Timeline 126
- 6.8.1. Introduction 127
- Example of Extend 128
- 6. Timeline 117 129
- 118 6. Timeline 130
- 6. Timeline 119 131
- 120 6. Timeline 132
- 6. Timeline 121 133
- Timeline Element 134
- Slow/Fast a Timeline Element 135
- 6.9.1. Introduction 136
- During the Trim Action 137
- After the Trim Action 137
- 126 6. Timeline 138
- How to Activate the Trim Mode 139
- How to Change the Trim Mode 140
- Next/Previous Transition 141
- 6.9.4. Possible Trim Actions 142
- Example: Shift to the left 143
- Trim Left in Insert Mode 144
- Trim Left in Overwrite Mode 145
- Trim Right in Insert Mode 146
- Trim Right in Overwrite Mode 147
- Example: Shift to the right 148
- 6. Timeline 137 149
- Shortcuts 150
- 6.10.1. Overview 151
- 140 6. Timeline 152
- During the Slipping Action 153
- Final Situation 153
- How to Activate the Slip Mode 154
- How to Leave the Slip Mode 155
- 144 6. Timeline 156
- ShuttlePRO 157
- Timecode 158
- 6.11.1. Overview 158
- Restrictions With Slow Motion 159
- During the Slide Action 160
- How to Leave the Slide Mode 162
- Keyboard 163
- 6.12. Transition Effects 164
- Definition 165
- Which to Apply the Effects 166
- 6.12.3. Effect Types 167
- 6.12.4. Effect Duration 168
- 6.12.5. Effect Positions 169
- Opening the Window 170
- Tracks Group Box 171
- Transition Effect Group Box 171
- Field Description 172
- Video Transition GPI 173
- Transition Effects 175
- Possible Actions 175
- 164 6. Timeline 176
- 6. Timeline 165 177
- 166 6. Timeline 178
- 168 6. Timeline 180
- 6.13. Audio Swaps and Mutes 182
- Swap/Mute Function 183
- Automatic Swap Definition 184
- Automatic Mute Definition 184
- Timeline Display 184
- Zoom Display 185
- Display Mode 188
- Example 1 189
- Example 2 190
- Zoom Mode 191
- Initial Situation 192
- Manual Swap Action 192
- Window Variations 193
- 182 6. Timeline 194
- Swap Sources / Outputs 195
- Additional Options 196
- 6.13.8. Adding Audio Swaps 197
- Points of a Track 198
- 6.13.9. Modifying Audio Swaps 199
- 6.13.10. Deleting Audio Swaps 200
- 6. Timeline 191 203
- 192 6. Timeline 204
- 6. Timeline 193 205
- Part of a Track 206
- 6. Timeline 195 207
- 196 6. Timeline 208
- 6.14.10. Resetting the Volume 209
- Replace Function 210
- Live to Tape Function 211
- 6.15.2. Process Overview 212
- Create Clip From Timeline 213
- Live to Tape 213
- Clip Into the Timeline 214
- 6.15.4. Replace Settings 215
- Specific Replace Settings 216
- Pre-Roll and Post-Roll 217
- About Replace GPIs 219
- About GPI Offsets 219
- Audio Swap Input Matrix 220
- 6. Timeline 209 221
- 210 6. Timeline 222
- Function 224
- 6. Timeline 213 225
- 214 6. Timeline 226
- 6.16.2. Adding Locators 228
- 6. Timeline 217 229
- 218 6. Timeline 230
- 6.17. Using GPIs in IPEdit 231
- 6.17.2. Replace GPIs 232
- 6.17.4. Clip GPIs 233
- GPI Display 234
- How to Move a Clip GPI 235
- How to Modify a Clip GPI 235
- How to Delete a Clip GPI 235
- 6.18.1. Overview 236
- 6.19. IPEdit Settings 237
- 6.19.2. Macro Commands 238
- 6.19.3. Replace Settings 238
- 7. Edit While Playout 239
- 7.1.2. Limitations 240
- 7.1.3. Channel Assignment 240
- Prerequisite 241
- Activation 241
- 7.2. Master/Slave Redundancy 242
- 7. Edit While Playout 231 243
- 7.3. User Interface 244
- Lock Button 245
- Transport Command Bar 245
- Speed Nudging Buttons 246
- Locator Buttons 247
- TLO Remaining 248
- TLO Effective Duration 248
- TLO Expected TC OUT 248
- TLO Remaining Commit Duration 248
- TLO Commit Button 249
- Commit Button Contextual Menu 249
- Playout Mode 250
- 7.4.2. Committing the TLE 251
- Master/Slave Configuration 252
- Slave IPEdit 253
- Configuration 253
- 7.7. Managing GPI in TLO 254
- 7. Edit While Playout 243 255
- 8. Supported Keyboards 256
- 8. Supported Keyboards 245 257
- 9. ShuttlePRO 258
- 9. ShuttlePRO 247 259
- Glossary 260
- Glossary 249 261
- 250 Glossary 262
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