Evs IPDirector Version 6.2 - June 2013 IPEDIT User Man Manual de usuario Pagina 208
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6.14.9. Modifying the Volume on a Given Position
of a Track
How to Modify the Volume on a Given Position of
a Track
To modify the volume on a given point of a track, proceed as follows:
1. On the Volume Automation panel, double-click the position where you want to add a
volume automation point.
The point is added.
2. If you need to adjust the volume or the position of the point, select it again and drag it
up or down, right or left according to your needs.
The decibel increase or decrease compared to the 0 db line is specified as you move
the volume automation point.
3. When the volume automation point is correctly positioned, release the mouse.
Example: Add a Volume Automation Point
Before
196 6. Timeline
EVS Broadcast Equipment S.A. - June 2013 Issue 6.2.A
- USER MANUAL 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 5
- IV Table of Contents 6
- 6. TIMELINE 43 7
- VI Table of Contents 8
- Table of Contents VII 9
- 7. EDIT WHILE PLAYOUT 227 10
- 8. SUPPORTED KEYBOARDS 244 10
- 9. SHUTTLEPRO 246 10
- GLOSSARY 248 10
- What's New? 11
- X What's New? 12
- 1. Introduction 13
- 1.3. Limitations 14
- 1.4. Opening IPEdit 14
- 2. User Interface 15
- 4 2. User Interface 16
- 2. User Interface 5 17
- 3. Managing Channels 18
- 3. Managing Channels 7 19
- 3.2.1. Description 20
- 3.2.2. Display 20
- 3.2.3. Automatic Unlock 20
- 3.3.1. Purpose 20
- 10 3. Managing Channels 22
- 4. Browser 23
- 12 4. Browser 24
- 14 4. Browser 26
- 5. Player 27
- 16 5. Player 28
- 5.2. Video Display 29
- Automatic Association 30
- Player in IPEdit 30
- 5.4. Loaded Media Information 31
- 5.4.2. Loaded Media Field 32
- 5.4.3. LSM ID Field 32
- 5.4.4. Timecode Field 32
- 5.4.5. Train Name Field 33
- When a Record Train is Loaded 34
- 5.4.7. Jog Bar 35
- 5.5.1. Purpose 35
- 24 5. Player 36
- 5. Player 25 37
- 26 5. Player 38
- 5. Player 27 39
- Pause Button Contextual Menu 40
- Time Information Fields 41
- Timecode Fields Display 41
- 30 5. Player 42
- 5.6. Timeline Editing Buttons 43
- 5.7. Player Track Selection 44
- 1 track of 4 mono channels 45
- 2 tracks of 2 mono channels 45
- 1 track of 8 mono channels 45
- 34 5. Player 46
- 5.8. Audio Monitoring 47
- Parameters 48
- Headphones 49
- 5.9.1. General Information 51
- 5.9.3. Ways to Load Clips 52
- 5.9.4. Ways to Load Trains 53
- 5.9.5. Ways to Load Logs 53
- 42 5. Player 54
- 6. Timeline 55
- 6.1.2. Timeline Name and IDs 56
- 6.1.3. Timeline Display 57
- Timecode Bar 58
- Mark IN /OUT Points 58
- Growing Clips 59
- Background Color 59
- Lasso Selection Area 60
- Functions 61
- 50 6. Timeline 62
- 6. Timeline 51 63
- 52 6. Timeline 64
- 6. Timeline 53 65
- 54 6. Timeline 66
- 6.1.5. Transition Effects Bar 67
- 6.1.6. Locator Buttons 68
- Related Functions 68
- 6. Timeline 57 69
- 58 6. Timeline 70
- Play Forward (Multispeed) 71
- Fast Rewind (Multispeed) 71
- 60 6. Timeline 72
- Keyboard Shortcuts 74
- Scale Bar 74
- Move Bar 75
- Volume Automation Mode 75
- Swap / Mute Zoom Mode 75
- Mute Button 75
- 6.2. Timeline Management 76
- How to Create a New Timeline 77
- Timeline Information Pane 78
- 6. Timeline 67 79
- Metadata Pane 80
- Principles 81
- Conversion Methods 81
- Make a Timeline Online Window 81
- 70 6. Timeline 82
- 6. Timeline 71 83
- Unconverted Features 84
- Audio Channel Assignment 84
- 6.2.4. Opening a Timeline 85
- 74 6. Timeline 86
- 76 6. Timeline 88
- 6. Timeline 77 89
- 6.2.6. Transferring Timelines 90
- 6.3. Timeline Editing 91
- Slow Motion Features 92
- 82 6. Timeline 94
- 6. Timeline 83 95
- 84 6. Timeline 96
- 6. Timeline 85 97
- Selection With the Lasso 99
- 88 6. Timeline 100
- 6.5.1. Applicable Principles 101
- Availability of Clip Material 102
- Introduction 103
- 92 6. Timeline 104
- Overwrite 105
- Match Frame Replace 106
- Procedure in the Player 107
- Procedure with the ShuttlePRO 107
- General Principles 108
- Possible Cases 109
- Principle 109
- 3-Point Edit 109
- 4-Point Edit 110
- Drag-and-Drop Actions 111
- Overview 114
- General Rules 114
- OUT Points 115
- Procedure 116
- Description 117
- Elements 118
- 6. Timeline 107 119
- 6.6.1. Introduction 121
- Timeline 121
- 6.7.1. Introduction 123
- Possible Selections and Moves 124
- Magnet Effect 124
- Possible Element Selections 124
- Possible Move Types 125
- 114 6. Timeline 126
- 6.8.1. Introduction 127
- Example of Extend 128
- 6. Timeline 117 129
- 118 6. Timeline 130
- 6. Timeline 119 131
- 120 6. Timeline 132
- 6. Timeline 121 133
- Timeline Element 134
- Slow/Fast a Timeline Element 135
- 6.9.1. Introduction 136
- During the Trim Action 137
- After the Trim Action 137
- 126 6. Timeline 138
- How to Activate the Trim Mode 139
- How to Change the Trim Mode 140
- Next/Previous Transition 141
- 6.9.4. Possible Trim Actions 142
- Example: Shift to the left 143
- Trim Left in Insert Mode 144
- Trim Left in Overwrite Mode 145
- Trim Right in Insert Mode 146
- Trim Right in Overwrite Mode 147
- Example: Shift to the right 148
- 6. Timeline 137 149
- Shortcuts 150
- 6.10.1. Overview 151
- 140 6. Timeline 152
- During the Slipping Action 153
- Final Situation 153
- How to Activate the Slip Mode 154
- How to Leave the Slip Mode 155
- 144 6. Timeline 156
- ShuttlePRO 157
- Timecode 158
- 6.11.1. Overview 158
- Restrictions With Slow Motion 159
- During the Slide Action 160
- How to Leave the Slide Mode 162
- Keyboard 163
- 6.12. Transition Effects 164
- Definition 165
- Which to Apply the Effects 166
- 6.12.3. Effect Types 167
- 6.12.4. Effect Duration 168
- 6.12.5. Effect Positions 169
- Opening the Window 170
- Tracks Group Box 171
- Transition Effect Group Box 171
- Field Description 172
- Video Transition GPI 173
- Transition Effects 175
- Possible Actions 175
- 164 6. Timeline 176
- 6. Timeline 165 177
- 166 6. Timeline 178
- 168 6. Timeline 180
- 6.13. Audio Swaps and Mutes 182
- Swap/Mute Function 183
- Automatic Swap Definition 184
- Automatic Mute Definition 184
- Timeline Display 184
- Zoom Display 185
- Display Mode 188
- Example 1 189
- Example 2 190
- Zoom Mode 191
- Initial Situation 192
- Manual Swap Action 192
- Window Variations 193
- 182 6. Timeline 194
- Swap Sources / Outputs 195
- Additional Options 196
- 6.13.8. Adding Audio Swaps 197
- Points of a Track 198
- 6.13.9. Modifying Audio Swaps 199
- 6.13.10. Deleting Audio Swaps 200
- 6. Timeline 191 203
- 192 6. Timeline 204
- 6. Timeline 193 205
- Part of a Track 206
- 6. Timeline 195 207
- 196 6. Timeline 208
- 6.14.10. Resetting the Volume 209
- Replace Function 210
- Live to Tape Function 211
- 6.15.2. Process Overview 212
- Create Clip From Timeline 213
- Live to Tape 213
- Clip Into the Timeline 214
- 6.15.4. Replace Settings 215
- Specific Replace Settings 216
- Pre-Roll and Post-Roll 217
- About Replace GPIs 219
- About GPI Offsets 219
- Audio Swap Input Matrix 220
- 6. Timeline 209 221
- 210 6. Timeline 222
- Function 224
- 6. Timeline 213 225
- 214 6. Timeline 226
- 6.16.2. Adding Locators 228
- 6. Timeline 217 229
- 218 6. Timeline 230
- 6.17. Using GPIs in IPEdit 231
- 6.17.2. Replace GPIs 232
- 6.17.4. Clip GPIs 233
- GPI Display 234
- How to Move a Clip GPI 235
- How to Modify a Clip GPI 235
- How to Delete a Clip GPI 235
- 6.18.1. Overview 236
- 6.19. IPEdit Settings 237
- 6.19.2. Macro Commands 238
- 6.19.3. Replace Settings 238
- 7. Edit While Playout 239
- 7.1.2. Limitations 240
- 7.1.3. Channel Assignment 240
- Prerequisite 241
- Activation 241
- 7.2. Master/Slave Redundancy 242
- 7. Edit While Playout 231 243
- 7.3. User Interface 244
- Lock Button 245
- Transport Command Bar 245
- Speed Nudging Buttons 246
- Locator Buttons 247
- TLO Remaining 248
- TLO Effective Duration 248
- TLO Expected TC OUT 248
- TLO Remaining Commit Duration 248
- TLO Commit Button 249
- Commit Button Contextual Menu 249
- Playout Mode 250
- 7.4.2. Committing the TLE 251
- Master/Slave Configuration 252
- Slave IPEdit 253
- Configuration 253
- 7.7. Managing GPI in TLO 254
- 7. Edit While Playout 243 255
- 8. Supported Keyboards 256
- 8. Supported Keyboards 245 257
- 9. ShuttlePRO 258
- 9. ShuttlePRO 247 259
- Glossary 260
- Glossary 249 261
- 250 Glossary 262
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