Evs XT3 Version 11.00 Configuration Manual Manual de usuario Pagina 219
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Warning
The hypermotion feature and settings are only available if the license code 20,
which allows controlling a hypermotion camera from the remote panel, is valid.
The following screenshot presents page 5 of the Operation tab in the server-based
application, where the Hypermotion controller settings are available, and highlights the
Hypermotion controller settings area:
Hypermotion
Description Enables or disables the hypermotion camera control feature.
When this setting is enabled, you can access and use the
hypermotion menu on the LSM Remote Panel via the
SHIFT+D key combination in the operational menu.
Values Yes / No
Default Values No
Recorder
Description Selects the recorder channel to which the A/V material from
the hypermotion camera will be sent.
Values CAM A to CAM D
Default Values The default value is the last CAM defined in the channel
configuration (for ex. CAM C in a 3 IN 3 OUT configuration).
213 3. Multicam Configuration
EVS Broadcast Equipment S.A. -April 2012 Issue 11.00.C
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- GLOSSARY 219 5
- 1. Introduction 7
- 2 1. Introduction 8
- Merging of Former Manuals 9
- Documented User Interfaces 9
- 1.3. Starting the EVS Server 10
- Procedure 11
- 2. Multicam Setup 12
- Description of the Areas 13
- 2. Multicam Setup 8 14
- General Navigability 15
- Configuration Lines 15
- In the Web-Based Interface 16
- 2.2. Configuration Lines 17
- Automatic Launch 18
- How to Edit a Configuration 19
- Invalid Configuration 19
- 2. Multicam Setup 16 22
- 2.3. Server Parameters 27
- Protection 28
- Settings 30
- How to Set the LAN PC 31
- Supported Formats 31
- Default Raid Configuration 33
- Requested Raid Configuration 34
- Current Raid Configuration 34
- 2.4. Licenses and Maintenance 35
- 2. Multicam Setup 30 36
- How to Remove a License Code 39
- 2.5. Server Maintenance 40
- Disk Errors and Disconnection 41
- Restarting 42
- Rebuild Process 43
- 2.5.4. Clearing Video Disks 44
- 2.5.7. Exporting Log Files 45
- 3. Multicam Configuration 46
- Server-Based Application 47
- Display Mode 49
- User Interfaces 49
- Web-Based User Interface 50
- Configuration Window 51
- Required Application Reboot 53
- Navigation Commands 55
- Editing Commands 56
- 3.2. Server Tab 57
- 3.2.2. Video and Reference 58
- Resolution 59
- Horizontal Res. (HD) 60
- Recorded Lines (SD) 60
- LTC Timecode 60
- Sync PC Time to TC 60
- Codec Availability 61
- Codec-Related Information 62
- 57 3. Multicam Configuration 63
- (59.94 Hz) 64
- 59 3. Multicam Configuration 65
- 61 3. Multicam Configuration 67
- SD (Standard Definition) 68
- HD to SD SDI / SD SDI to HD 69
- 3.2.4. Interpolation Settings 70
- 3.2.5. PC LAN Settings 71
- Subnet Mask 72
- Default Gateway 72
- 3.3. Channels Tab 73
- 3. Multicam Configuration 68 74
- 3.3.2. Channels 75
- 3. Multicam Configuration 70 76
- Base Config 77
- SLSM Rec 78
- Port Settings 79
- RS422 #1 - #6 80
- Channels and Control Settings 81
- Main ctrl (Main Controller) 82
- Main Rules for XT3 server 83
- Exclusive mode - REC Channels 87
- Parallel mode - Play Channels 87
- Recorder Settings 88
- Loop Recording 89
- Clip Capacity 89
- Mix on One Channel Feature 90
- Conditions 91
- New Supported Modes 91
- Mix on One Channel Settings 92
- 87 3. Multicam Configuration 93
- Channel Assignment 94
- 89 3. Multicam Configuration 95
- SD/HD Base Configurations 96
- Example: 4REC + 2PLAY 99
- SD/HD 2R/CM Configurations 100
- XT3 6U Servers 101
- SLSM Configurations 102
- XT3 6UServers 103
- SLSM 2R/CM Configurations 106
- Introduction 109
- Assignment Principles 109
- XT3 4U Servers 110
- 3D/1080p SLSM Configurations 113
- 3.3.4. Audio 117
- Audio Connectors 118
- Number of Tracks 119
- Audio Full Scale 119
- Ancillary Mode 119
- Audio Input Settings 121
- Example 1 122
- Example 2 122
- Audio Output Settings 123
- 3. Multicam Configuration 118 124
- Audio (Embedded) Intputs 126
- Audio Embedded Outputs 127
- Audio Digital Outputs 127
- 4 or 16 Audio Tracks 128
- 123 3. Multicam Configuration 129
- Audio Analog 130
- Collective Editing Actions 131
- Individual Editing Actions 131
- Commands 132
- Dolby Audio Management 133
- Timecode Settings 134
- Timecode Insertion Settings 135
- 3. Multicam Configuration 130 136
- HD OUT (in HD) 137
- SD OUT (in HD and SD) 138
- SMPTE Package Settings 139
- Supported Packets 140
- Decoding 140
- Encoding 140
- Custom 1/2 140
- SD OUT Encoding 141
- 3.4. Network Tab 142
- 3.4.2. SDTI Settings 143
- Net Name 144
- Net Number 144
- High Priority 145
- IP Address (Port 1/Port 2) 146
- Subnet Mask (Port 1/Port 2) 147
- 3.5. Monitoring Tab 148
- 3.5.2. Multiviewer Settings 149
- Available Layouts 150
- Display 1 to 8 151
- Audio Monitoring from video 151
- Aspect ratio - Videos 151
- 3.5.3. OSD Settings 152
- Genlock Error 153
- Disk Error 153
- Network error 154
- Clip name 154
- Char OUT J4 155
- Char OUT J1 155
- OUTBJ3 155
- Aspect ratio 155
- SDEdge Enh 156
- RECHD->SD Low latency 156
- 3.6. Protocol Tab 157
- 3.6.3. EditRec 159
- Overview on Edit Rec Settings 160
- Edit Rec 1/2 Setting 160
- Default PL 161
- Audio Settings for Edit Rec 162
- Serial Sony LTC 163
- Serial Sony VITC 164
- User TC of created clips 164
- Channel Settings for Edit Rec 165
- OSD Settings for Edit Rec 166
- Display sel 167
- TCH-Pos 167
- Name H-Pos 167
- TCV-Pos 167
- 3.6.4. Sony BVW Settings 168
- 3.6.5. RS422VarID Settings 169
- VarID Parameters 170
- VarID Configuration File 170
- Uniqueness 171
- Visibility 172
- 3.7. GPI Tab 173
- 3.7.2. GPI Settings 174
- GPIs IN - Port 175
- TTL GPIs set as GPIs 175
- GPIs IN - Channel/Device 175
- GPIs IN - Function 176
- GPIs IN - Delay 176
- GPIs OUT - Function 177
- GPIs OUT - Type 177
- GPIs OUT - Advance 177
- GPIs OUT - Pulse duration 177
- 3.7.3. Tally Settings 178
- Add Clip to PL 179
- Clips guardbands 179
- 3.8. Operations Tab 180
- Clips Settings 181
- Playlist Settings 182
- Miscellaneous Settings 183
- Controller Settings 184
- Special Effects Settings 185
- 3.8.2. OSD Settings 186
- OSD on outputs 187
- OSD on inputs 187
- Background 187
- 3.8.4. Clips Settings 188
- 183 3. Multicam Configuration 189
- Make clip rem. trains 190
- Guardbands 190
- Default clip duration 190
- Autoname clips 191
- Clip post-roll 191
- Mark cue point 192
- Record trains OUTs 192
- Default copy/move 193
- Freeze on cue points 193
- Protocol Receive page 193
- 3.8.5. Playlist Settings 194
- Video effect duration 195
- Audio locked to video 195
- Audio effect duration 196
- Wipe type 196
- Default playlist speed 196
- Insert in playlist 196
- Confirm Ins/Del clips 197
- Advanced audio editing 197
- Extend split transition 197
- Swap audio tracks 198
- Playlist loop 198
- Playlist auto fill 199
- Fade to/from color 199
- Load Playlist 199
- 3.8.6. Timeline Settings 200
- 3.8.7. Protection Settings 201
- Clip edit by network 202
- 3.8.8. Keywords Settings 203
- Keyword files 204
- Keyword mode 204
- 3.8.9. Push Settings 205
- Push Target 206
- Push Target 1 / 2 206
- Push Mode 207
- Push Receive Page 207
- 3.8.10. Audio Settings 208
- Lipsync value (ms) 209
- Aux track output 209
- Effect duration for take 210
- Fast jog 210
- PGM Speed / var max 211
- Lever engage mode 211
- Second lever range 212
- Recall clip toggle 212
- Record key 212
- Pointing device 213
- VGA & Remote sync 213
- Call channel VGA 213
- PGM/PRV mode 214
- Internal loop mode 214
- 3.8.12. Cam Mapping Settings 215
- Mapping of Network Cameras 216
- Cam Mapping 216
- Principles 217
- Remote Panel Assignment 217
- Hypermotion 219
- Recorder 219
- Remote mode 220
- Protocol 220
- IPAddress 220
- Dial Speed 221
- Paint/target transition 221
- Set colour for 222
- Custom Y 222
- Custom U 222
- Custom V 222
- Split screen tracking 223
- Paint/target OSD mon 223
- Offside line 223
- External offside 223
- IP address 224
- Default tool 224
- Auto mark 224
- Glossary 225
- Glossary 220 226
- +32 4 361 7000 227
- +1 973 575 7811 227
- +852 2914 2501 227
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