Evs XT3 Version 11.02 - July 2013 Configuration Manual Manual de usuario Pagina 136
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Audio Input Settings
Introduction
The advanced audio input settings allow users to specify the following elements:
• Which type of audio source should be taken into account in the recording process.
• How the audio mono channels of the source material will be distributed to the material
recorded on the EVS server.
• Whether an audio gain or audio muting should be applied in the recording process.
Example 1
The E2-03 value located in the intersection between row 3 and column IN2 means that the
3
rd
audio mono channel of the embedded audio source plugged into the IN2 (CAMB)
connector will be recorded on the same position on the EVS server.
128 3. Multicam Configuration
EVS Broadcast Equipment S.A. Issue 11.02.A July 2013
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- 3. MULTICAM CONFIGURATION 44 5
- GLOSSARY 233 6
- What's New? 7
- 1. Introduction 9
- Simple User Interface 10
- Easy Audio Configuration 10
- Documented User Interfaces 11
- 1.3. Starting the EVS Server 12
- Prerequisite 13
- Procedure 13
- 2. Multicam Setup 14
- 2. Multicam Setup 7 15
- Description of the Areas 16
- General Navigability 17
- In the Web-Based Interface 18
- 2.2. Configuration Lines 19
- Automatic Launch 20
- How to Edit a Configuration 20
- Invalid Configuration 21
- 2. Multicam Setup 15 23
- 2. Multicam Setup 17 25
- 18 2. Multicam Setup 26
- Configuration Lines 28
- 2.3. Server Parameters 30
- Protection 31
- Settings 34
- How to Set the LAN PC 34
- Supported Formats 35
- Default Raid Configuration 37
- Requested Raid Configuration 37
- Current Raid Configuration 38
- 2.4. Licenses and Maintenance 39
- 32 2. Multicam Setup 40
- 2.5. Server Maintenance 44
- 2.5.3. Hardware Check 45
- Disk Errors and Disconnection 46
- Retrieving Logs 47
- Rebuild Process 48
- 2.5.4. Clearing Video Disks 49
- 2.5.6. Exporting Log Files 50
- Monitor user manual 51
- 3. Multicam Configuration 52
- 3. Multicam Configuration 45 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Navigation Commands 61
- Editing Commands 61
- 3.2. Supported Configurations 63
- Channel Assignment 64
- 3. Multicam Configuration 57 65
- XT3 4U Servers 66
- Example: 3REC + 1PLAY 67
- Available XREC Configurations 67
- XT3 6U Servers 68
- Example: 4REC + 2PLAY 69
- Example: 4REC + 4PLAY XREC 70
- Configurations 71
- 3G SLSM 2x-3x Configurations 72
- 3.2.4. SLSM Configurations 73
- Example: 1xSLSM 2PH + 2PLAY 75
- 3. Multicam Configuration 69 77
- Assignment Principles 91
- 3.3. Server Tab 97
- Video and Reference Settings 98
- Resolution 99
- Horizontal Res. (HD) 100
- Recorded Lines (SD) 100
- LTC Timecode 100
- Sync PC Time to TC 100
- Codec Availability 101
- Codec-Related Information 101
- 94 3. Multicam Configuration 102
- (59.94 Hz) 103
- 96 3. Multicam Configuration 104
- User Interface 106
- SD (Standard Definition) 106
- HD to SD SDI / SD SDI to HD 107
- 3.3.4. Interpolation Settings 108
- 3.3.5. PC LAN Settings 109
- IP Address 110
- Subnet Mask 110
- Default Gateway 110
- 3.4. Channels Tab 111
- 104 3. Multicam Configuration 112
- 3.4.2. Channels 113
- 106 3. Multicam Configuration 114
- Base Config 115
- SLSM Rec 116
- Port Settings 117
- RS422 #1 - #6 118
- Channels and Control Settings 119
- Main ctrl (Main Controller) 120
- Main Rules for XT3 server 121
- Standalone Protocol 122
- Exclusive mode - REC Channels 125
- Parallel mode - Play Channels 125
- Parallel mode - REC Channels 126
- Recorder Settings 127
- Clip Capacity 128
- Rec Auto Start 128
- Mix on One Channel Feature 129
- Mix on One Channel Settings 130
- 3.4.3. Audio 131
- Audio Connectors 132
- Number of Tracks 133
- Audio Full Scale 133
- Ancillary Mode 133
- Introduction 134
- General Principles 135
- Audio Input Settings 136
- Example 2 137
- Example 3 137
- Example 4 137
- Audio Output Settings 138
- 3. Multicam Configuration 131 139
- Audio (Embedded) Inputs 141
- Audio Embedded Outputs 142
- Audio Digital Outputs 142
- 4 or 16 Audio Tracks 143
- Audio Analog 144
- Collective Editing Actions 145
- Individual Editing Actions 145
- Commands 146
- Dolby Audio Management 147
- Timecode Settings 148
- Primary TC 149
- Timecode Insertion Settings 150
- HD OUT (in HD) 151
- SD OUT (in HD and SD) 152
- SMPTE Package Settings 153
- Supported Packets 154
- Decoding 154
- Encoding 154
- Custom 1/2 154
- SD OUT Encoding 155
- 3.5. Network Tab 156
- 3.5.2. SDTI Settings 157
- Net Name 158
- Net Number 158
- 3.5.3. Gigabit Settings 159
- Physical interface 160
- IP Address (Port 1/Port 2) 160
- Subnet Mask (Port 1/Port 2) 161
- 3.6. Monitoring Tab 162
- 3.6.2. Multiviewer Settings 163
- Available Layouts 164
- Display 1 to 8 165
- Audio Monitoring from video 165
- Aspect ratio - Videos 165
- 3.6.3. OSD Settings 166
- Genlock Error 167
- Disk Error 167
- Network error 167
- Clip name 167
- Char OUT J4 168
- Char OUT J1 169
- OUTBJ3 169
- Aspect ratio 169
- SDEdge Enh 169
- RECHD->SD Low latency 169
- 3.7. Protocol Tab 170
- 3. Multicam Configuration 163 171
- 3.7.3. Clip Identifiers 173
- 3.7.4. Sony BVW Settings 174
- 3.7.5. EditRec 175
- Overview on Edit Rec Settings 176
- Edit Rec 1/2 Setting 176
- Default PL 177
- Audio Settings for Edit Rec 178
- Serial Sony LTC 179
- Serial Sony VITC 179
- User TC of created clips 180
- Channel Settings for Edit Rec 181
- OSD Settings for Edit Rec 182
- 3.7.6. RS422VarID Settings 183
- 176 3. Multicam Configuration 184
- VarID Configuration File 185
- Uniqueness 185
- VDCP Visibility 186
- 3.8. GPI Tab 187
- 3.8.2. GPI Settings 188
- TTL GPIs set as GPIs 189
- GPIs IN - Channel/Device 189
- GPIs IN - Port 189
- GPIs IN - Function 190
- GPIs IN - Delay 190
- GPIs OUT - Function 191
- GPIs OUT - Type 191
- GPIs OUT - Advance 191
- GPIs OUT - Pulse duration 191
- 3.8.3. Tally Settings 192
- Add Clip to PL 193
- Clips guardbands 193
- 3.9. Operation Tab 194
- Clips Settings 195
- Playlist Settings 195
- Miscellaneous Settings 196
- Controller Settings 196
- 3. Multicam Configuration 189 197
- 3.9.2. OSD Settings 198
- Cue number on OSD 199
- Keyword info 199
- OSD on outputs 199
- OSD on inputs 199
- Background 200
- Audio meters 200
- DB Adjust 201
- Thickness 201
- 3.9.4. Clips Settings 202
- Make clip rem. trains 203
- Guardbands 203
- Default clip duration 204
- Autoname clips 204
- Clip post-roll 205
- Mark cue point 205
- Record trains OUTs 206
- Default copy/move 206
- Freeze on cue points 207
- Protocol Receive page 207
- Playlist Receive page 207
- 3.9.5. Playlist Settings 208
- Availability 209
- Video effect duration 209
- Audio locked to video 209
- Audio effect duration 210
- Wipe type 210
- Default playlist speed 210
- Insert in playlist 210
- Confirm Ins/Del clips 211
- Advanced audio editing 211
- Extend split transition 211
- Swap audio tracks 212
- Playlist loop 212
- Playlist auto fill 213
- Fade to/from color 213
- Load Playlist 213
- 3.9.6. Timeline Settings 214
- 3.9.7. Protection Settings 215
- Clip edit by network 216
- 3.9.8. Keywords Settings 217
- Keyword files 218
- Keyword mode 218
- 3.9.9. Push Settings 219
- Push Target 220
- Push Target 1 / 2 220
- Push Mode 221
- Push Receive Page 221
- 3.9.10. Audio Settings 222
- Lipsync value (ms) 223
- Aux track output 223
- Effect duration for take 225
- Fast jog 225
- PGM Speed / var max 225
- Lever engage mode 226
- Second lever range 226
- Recall clip toggle 227
- Record key 227
- Pointing device 227
- VGA & Remote sync 228
- Call channel VGA 228
- PGM/PRV mode 229
- Internal loop mode 229
- Grab image 230
- Browse button 230
- Default XFile 230
- 3.9.12. Cam Mapping Settings 231
- Cam Mapping 232
- Principles 232
- Remote Panel Assignment 233
- Hypermotion 234
- Recorder 235
- Remote mode 235
- Protocol 235
- IPAddress 236
- Dial Speed 236
- Paint/target transition 237
- Set colour for 237
- Custom Y 238
- Custom U 238
- Custom V 238
- Split screen tracking 239
- Paint/target OSD mon 239
- Offside line 239
- External offside 240
- IP address 240
- Default tool 240
- Auto mark 240
- Glossary 241
- 234 Glossary 242
- Glossary 235 243
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