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Example 2
The allocation of the source audio mono channels shown above means that:
• The embedded audio source of the 1
st
mono channel of the record channel (IN1 or
IN2) will be stored on mono channels 1 to 4 of the recorded material.
• The embedded audio source of the 5
th
mono channel of the record channel (IN1 or
IN2) will be stored on mono channels 5 to 8 of the recorded material.
Example 3
The allocation of the source audio mono channels shown above means that:
• The audio source from the digital connectors is used for the material recorded on the
EVS server.
• The audio source 1 from the digital connector will be mapped to the 1
st
mono channel
of the material recorded on the EVS server, and so on.
Example 4
You will allocate the source audio mono channels as shown above when you want to send
the audio mono channels from REC1 to all other record channels.
The shortcut CTRL+0 allows you doing this more rapidly in the server-based application.
CONFIGURATION MANUAL XT3 Server 11.02
3. Multicam Configuration 129
- Configuration Manual 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 4
- 3. MULTICAM CONFIGURATION 44 5
- GLOSSARY 233 6
- What's New? 7
- 1. Introduction 9
- Simple User Interface 10
- Easy Audio Configuration 10
- Documented User Interfaces 11
- 1.3. Starting the EVS Server 12
- Prerequisite 13
- Procedure 13
- 2. Multicam Setup 14
- 2. Multicam Setup 7 15
- Description of the Areas 16
- General Navigability 17
- In the Web-Based Interface 18
- 2.2. Configuration Lines 19
- Automatic Launch 20
- How to Edit a Configuration 20
- Invalid Configuration 21
- 2. Multicam Setup 15 23
- 2. Multicam Setup 17 25
- 18 2. Multicam Setup 26
- Configuration Lines 28
- 2.3. Server Parameters 30
- Protection 31
- Settings 34
- How to Set the LAN PC 34
- Supported Formats 35
- Default Raid Configuration 37
- Requested Raid Configuration 37
- Current Raid Configuration 38
- 2.4. Licenses and Maintenance 39
- 32 2. Multicam Setup 40
- 2.5. Server Maintenance 44
- 2.5.3. Hardware Check 45
- Disk Errors and Disconnection 46
- Retrieving Logs 47
- Rebuild Process 48
- 2.5.4. Clearing Video Disks 49
- 2.5.6. Exporting Log Files 50
- Monitor user manual 51
- 3. Multicam Configuration 52
- 3. Multicam Configuration 45 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Navigation Commands 61
- Editing Commands 61
- 3.2. Supported Configurations 63
- Channel Assignment 64
- 3. Multicam Configuration 57 65
- XT3 4U Servers 66
- Example: 3REC + 1PLAY 67
- Available XREC Configurations 67
- XT3 6U Servers 68
- Example: 4REC + 2PLAY 69
- Example: 4REC + 4PLAY XREC 70
- Configurations 71
- 3G SLSM 2x-3x Configurations 72
- 3.2.4. SLSM Configurations 73
- Example: 1xSLSM 2PH + 2PLAY 75
- 3. Multicam Configuration 69 77
- Assignment Principles 91
- 3.3. Server Tab 97
- Video and Reference Settings 98
- Resolution 99
- Horizontal Res. (HD) 100
- Recorded Lines (SD) 100
- LTC Timecode 100
- Sync PC Time to TC 100
- Codec Availability 101
- Codec-Related Information 101
- 94 3. Multicam Configuration 102
- (59.94 Hz) 103
- 96 3. Multicam Configuration 104
- User Interface 106
- SD (Standard Definition) 106
- HD to SD SDI / SD SDI to HD 107
- 3.3.4. Interpolation Settings 108
- 3.3.5. PC LAN Settings 109
- IP Address 110
- Subnet Mask 110
- Default Gateway 110
- 3.4. Channels Tab 111
- 104 3. Multicam Configuration 112
- 3.4.2. Channels 113
- 106 3. Multicam Configuration 114
- Base Config 115
- SLSM Rec 116
- Port Settings 117
- RS422 #1 - #6 118
- Channels and Control Settings 119
- Main ctrl (Main Controller) 120
- Main Rules for XT3 server 121
- Standalone Protocol 122
- Exclusive mode - REC Channels 125
- Parallel mode - Play Channels 125
- Parallel mode - REC Channels 126
- Recorder Settings 127
- Clip Capacity 128
- Rec Auto Start 128
- Mix on One Channel Feature 129
- Mix on One Channel Settings 130
- 3.4.3. Audio 131
- Audio Connectors 132
- Number of Tracks 133
- Audio Full Scale 133
- Ancillary Mode 133
- Introduction 134
- General Principles 135
- Audio Input Settings 136
- Example 2 137
- Example 3 137
- Example 4 137
- Audio Output Settings 138
- 3. Multicam Configuration 131 139
- Audio (Embedded) Inputs 141
- Audio Embedded Outputs 142
- Audio Digital Outputs 142
- 4 or 16 Audio Tracks 143
- Audio Analog 144
- Collective Editing Actions 145
- Individual Editing Actions 145
- Commands 146
- Dolby Audio Management 147
- Timecode Settings 148
- Primary TC 149
- Timecode Insertion Settings 150
- HD OUT (in HD) 151
- SD OUT (in HD and SD) 152
- SMPTE Package Settings 153
- Supported Packets 154
- Decoding 154
- Encoding 154
- Custom 1/2 154
- SD OUT Encoding 155
- 3.5. Network Tab 156
- 3.5.2. SDTI Settings 157
- Net Name 158
- Net Number 158
- 3.5.3. Gigabit Settings 159
- Physical interface 160
- IP Address (Port 1/Port 2) 160
- Subnet Mask (Port 1/Port 2) 161
- 3.6. Monitoring Tab 162
- 3.6.2. Multiviewer Settings 163
- Available Layouts 164
- Display 1 to 8 165
- Audio Monitoring from video 165
- Aspect ratio - Videos 165
- 3.6.3. OSD Settings 166
- Genlock Error 167
- Disk Error 167
- Network error 167
- Clip name 167
- Char OUT J4 168
- Char OUT J1 169
- OUTBJ3 169
- Aspect ratio 169
- SDEdge Enh 169
- RECHD->SD Low latency 169
- 3.7. Protocol Tab 170
- 3. Multicam Configuration 163 171
- 3.7.3. Clip Identifiers 173
- 3.7.4. Sony BVW Settings 174
- 3.7.5. EditRec 175
- Overview on Edit Rec Settings 176
- Edit Rec 1/2 Setting 176
- Default PL 177
- Audio Settings for Edit Rec 178
- Serial Sony LTC 179
- Serial Sony VITC 179
- User TC of created clips 180
- Channel Settings for Edit Rec 181
- OSD Settings for Edit Rec 182
- 3.7.6. RS422VarID Settings 183
- 176 3. Multicam Configuration 184
- VarID Configuration File 185
- Uniqueness 185
- VDCP Visibility 186
- 3.8. GPI Tab 187
- 3.8.2. GPI Settings 188
- TTL GPIs set as GPIs 189
- GPIs IN - Channel/Device 189
- GPIs IN - Port 189
- GPIs IN - Function 190
- GPIs IN - Delay 190
- GPIs OUT - Function 191
- GPIs OUT - Type 191
- GPIs OUT - Advance 191
- GPIs OUT - Pulse duration 191
- 3.8.3. Tally Settings 192
- Add Clip to PL 193
- Clips guardbands 193
- 3.9. Operation Tab 194
- Clips Settings 195
- Playlist Settings 195
- Miscellaneous Settings 196
- Controller Settings 196
- 3. Multicam Configuration 189 197
- 3.9.2. OSD Settings 198
- Cue number on OSD 199
- Keyword info 199
- OSD on outputs 199
- OSD on inputs 199
- Background 200
- Audio meters 200
- DB Adjust 201
- Thickness 201
- 3.9.4. Clips Settings 202
- Make clip rem. trains 203
- Guardbands 203
- Default clip duration 204
- Autoname clips 204
- Clip post-roll 205
- Mark cue point 205
- Record trains OUTs 206
- Default copy/move 206
- Freeze on cue points 207
- Protocol Receive page 207
- Playlist Receive page 207
- 3.9.5. Playlist Settings 208
- Availability 209
- Video effect duration 209
- Audio locked to video 209
- Audio effect duration 210
- Wipe type 210
- Default playlist speed 210
- Insert in playlist 210
- Confirm Ins/Del clips 211
- Advanced audio editing 211
- Extend split transition 211
- Swap audio tracks 212
- Playlist loop 212
- Playlist auto fill 213
- Fade to/from color 213
- Load Playlist 213
- 3.9.6. Timeline Settings 214
- 3.9.7. Protection Settings 215
- Clip edit by network 216
- 3.9.8. Keywords Settings 217
- Keyword files 218
- Keyword mode 218
- 3.9.9. Push Settings 219
- Push Target 220
- Push Target 1 / 2 220
- Push Mode 221
- Push Receive Page 221
- 3.9.10. Audio Settings 222
- Lipsync value (ms) 223
- Aux track output 223
- Effect duration for take 225
- Fast jog 225
- PGM Speed / var max 225
- Lever engage mode 226
- Second lever range 226
- Recall clip toggle 227
- Record key 227
- Pointing device 227
- VGA & Remote sync 228
- Call channel VGA 228
- PGM/PRV mode 229
- Internal loop mode 229
- Grab image 230
- Browse button 230
- Default XFile 230
- 3.9.12. Cam Mapping Settings 231
- Cam Mapping 232
- Principles 232
- Remote Panel Assignment 233
- Hypermotion 234
- Recorder 235
- Remote mode 235
- Protocol 235
- IPAddress 236
- Dial Speed 236
- Paint/target transition 237
- Set colour for 237
- Custom Y 238
- Custom U 238
- Custom V 238
- Split screen tracking 239
- Paint/target OSD mon 239
- Offside line 239
- External offside 240
- IP address 240
- Default tool 240
- Auto mark 240
- Glossary 241
- 234 Glossary 242
- Glossary 235 243
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